Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Free State Symphony Orchestra conducted by Alexander Fokkens

Soloists : Samson Diamond Farida Bacharova (violins)

Dates : Thursday 12 March

Venue : Odeion

Time : 19:30

 

On Thursday 12 March the Free State Symphony Orchestra conducted by Alexander Fokkens will perform in the Odeion. The violinists Farida Bacharova and Samson Diamond will be the soloists with the orchestra in Mozart’’s Concertone for Two Violins and Orchestra and Sarasate’’s exciting Navarra for Two Violins and Orchestra, op. 33. After interval the orchestra will play Beethoven’’s majestic Symphony No. 3 (“"Eroica”").

In 1992, Farida, then the youngest female concertmaster in Russia, was the soloist for more than forty performances of ballets such as The Golden Age, The Nutcraker and Swan Lake in Tokyo’’s Metropolitan Hall. During twelve years of experience performing in Russia and on international tours, she has appeared as a soloist for ballets and as a symphonic soloist in many of the world’’s major halls, including, among others, Fischer Hall and Carnegie Hall in New York, Champs-ÉÉlyséées in Paris, Concertgebouw in Amsterdam, Berlin’’ Schauspiel Haus, Gewandhaus in Leipzig, Tonhalle in Zurich as well as the Moscow Conservatory Main Hall and Tchaikovsky Hall. A highlight of her orchestral career was a joint-concert with the New York Philharmonic, under the baton of Zubin Metha.

Samson was appointed leader of the Odeion String Quartet in 2013. He got his first taste of music in Soweto, where he studied with the founding director of Buskaid, Rosemary Nalden and in the UK with Richard Ireland, Pauline Nobes and Philippe Graffin. As a freelance orchestral player in the UK, Samson played in the Halléé Orchestra, the Academy of St Martins in the Fields, BBC Philharmonic Orchestra, Manchester Camerata, and the Academy of Ancient Music. He has been heard in concert in prestigious venues such as the Berlin Philharmonic Orchestra Hall in Berlin, Bela Bartok National Concert Hall in Budapest, and the Musikverein in Vienna, with the Academy of St Martin in the Fields conducted by Sir Neville Marriner.

Tickets for the concert in the Odeion are available from Computicket outlets or book online at www.computicket.com.

Admission:

R130 (adults)

R100 (pensioners)

R50 (students/learners/group bookings of 10+)

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342 (office hours)

www.fsso.org.za

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