Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Koornhof-Hecht Duo

with celebrated SA violinist, Piet Koornhof, and American pianist, Thomas Hecht

 

7 May 2015

Odeion

19:30

 

“…major talent...”

— The New York Times

 

"Koornhof is an utterly brilliant performer”

— The Cape Times

 

“…fantastic...full mastery…”

— Gazzetta del Sud

 

Violinist Piet Koornhof has performed extensively as recitalist and chamber musician, and as soloist with orchestras in Southern Africa, Europe, North America, Russia, Singapore and New Zealand. His overseas performances include recitals with American pianist Thomas Hecht at the Yong Siew Toh Conservatory of Music (Singapore) and at the Echos Festival (Italy).

 

In 1994 he was the first South African to undertake an extensive recital tour of Russia, with pianist Vladimir Yurigin-Klevke. In 1998 he gave masterclasses and performed at Victoria University of Wellington (New Zealand). In 1999 he performed at the Palaces of St. Petersburg International Chamber Music Festival as a member of the Potch Trio, and appeared as soloist with the Moscow Chamber Orchestra.

 

Piet's most recent CD-recordings (Delos), are the complete JS Bach trio-sonatas for flute, violin and piano with Raffaele Trevisani and Paola Girardi, and the Hendrik Hofmeyr Double CSoncerto for flute, violin and string orchestra with Trevisani and the Moscow Chamber Orchestra led by Constantine Orbelian. His chamber music CD-recordings as founder and violinist of the South African Chamber Music Society for Koch Discover International have garnered high international acclaim. His CD-recording of piano trios of Babadjanian and Vasks as a member of the celebrated Potch Trio was released in South Africa in 2005. A CD of unusual short lyrical pieces for violin and piano with Truida van der Walt, “Remembrances”, became available in 2007. 

 

Piet made his concert debut at the age of nine while he was a pupil of Alan Solomon.  He was awarded scholarships by amongst others the South African Music Rights Organisation, Anglo American Corporation, the Aspen Music School and the Juilliard School where he studied with Dorothy DeLay. He also took part in masterclasses by Itzhak Perlman, Pinchas Zukerman and Segiu Luca.

 

Piet has been teaching violin, viola, chamber music and methodology of violin at the School of Music of the North West University (Potchefstroom) since 1986. He holds a doctorate in music performance from the same institution where he is associate professor.  His masters thesis about the teaching strategy of renowned violin teacher, Dorothy DeLay, provided the material for his article in Strad magazine (August 2001).

 

American pianist Thomas Hecht was invited to Singapore in 2003 as the conservatory's Founding Head of Piano Studies. Over the span of nearly three decades he has concertized internationally as concerto soloist, recitalist, chamber musician and as a member of the acclaimed duo-piano team Hecht & Shapiro - winners of the Munich International Two Piano Competition and USA National Duo Piano Competition. He was the former Head of Piano Studies and Artist-In-Residence at the School of Music at Victoria University (New Zealand) and prior to that served for many years as Professor of Piano and Artist-In-Residence at the Cleveland Institute of Music (USA).  He has performed with leading orchestras such as the New York Philharmonic, Cleveland Orchestra, Baltimore Symphony, Stuttgart Symphony Orchestra, Johannesburg Festival Orchestra, Singapore Symphony Orchestra, Artsakh Symphony Orchestra and the New Zealand Symphony Orchestra. 

 

Career highlights include performances at the Lincoln Center (New York), Berlin Philharmonic Hall, the Kennedy Center (Washington) and solo recitals in Korea, Japan, China, Taiwan, Vietnam, Thailand, Italy, Serbia, Montenegro, Germany and throughout all the major centres of Australia and New Zealand. Hecht is a graduate of the Oberlin Conservatory where he won first prize in the concerto competition and the Kaufmann Award for excellence in chamber music.  Later he was accepted for graduate studies at the Peabody Institute as a student of Leon Fleisher.

 

Hecht enjoys a well-deserved reputation as one of the leading teachers of his generation, having produced a multitude of first prize winners in solo and two piano competitions throughout the United States, Europe and Australasia.   Throughout his career he has represented the USA, New Zealand and Singapore on jury panels of the Gina Bachauer, Geneva, Isangyun, Ibiza and Paralympic International Piano Competitions in addition to the national piano competitions of Japan, Thailand, Australia and South Africa.  He is a Steinway Artist and records for the Azica, Elysium and Atoll labels.

 

PROGRAMME

Arvo Pärt: Fratres

Giya Kancheli: Time…and again

Balys Dvarionas: Various compositions

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

 

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