Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Free State Symphony Orchestra conducted by Gérard Korsten
 

Gérard Korsten

 

 
 Ben Schoeman

 

Korsten conducts

 

Free State Symphony Orchestra conducted by Gérard Korsten

 

Soloist :           Ben Schoeman (piano)

 

Date    :           Saturday 30 May 2015 at 19:30 in the Sand du Plessis theatre

 

Two of our country’s most successful musicians, Gérard Korsten and Ben Schoeman, will perform with the Free State Symphony Orchestra in the Sand du Plessis theatre on Saturday 30 May. This concert is made possible by a grant from the National Lottery Distribution Trust Fund (NLDTF).

 

Korsten held positions of Principal Conductor of the State Theatre in Pretoria and the Uppsala Chamber Orchestra before he was appointed Music Director of the Orchestra del Teatro Lirico di Cagliari from 1999-2005. In Cagliari he conducted the first Italian performances of Richard Strauss’s Die ägyptische Helena, Weber’s Euryanthe, Delius’s A Village Romeo and Juliet and Schubert’s Alfonso und Estrella, as well as the productions of the core operatic repertoire including Die Zauberflöte, Don Giovanni, Lucia di Lammermoor, Carmen, Die Fledermaus, Tosca, Aïda, The Barber of Seville and Don Pasquale. In 2009 he was appointed Music Director of the London Mozart Players, the position he relinquished at the end of last season.

Gérard Korsten has appeared in the most notable opera houses and concert halls around Europe including Teatro La Scala Milan (Le nozze di Figaro), Maggio Musicale Florence (Così fan tutte), Teatro Reggio di Parma (La sonnambula), Teatro Lirico Verdi Trieste (Don Pasquale and La fille du régiment), Opéra de Lyon (Ariadne auf Naxos, Henze’s L’Upupa und der Triumph der Sohnesliebe, Siegfried, La Traviata and La Vie Parisienne), Royal Swedish Opera (Don Giovanni), Netherlands Opera (Così fan tutte), English National Opera (Aïda), Glyndebourne Festival Opera (Albert Herring) and the Lincoln Centre New York.

Ben Schoeman is regarded as one of South Africa’s foremost pianists. He has won major prizes, including the first grand prize in the 11th UNISA International Piano Competition, Pretoria (2008), first prize and gold medal in the Royal Over-Seas League Music Competition, London (2009), the Standard Bank Young Artist Award for Music (2011) and the Contemporary Music Prize at the Cleveland International Piano Competition, USA (2013).

He has given solo, chamber music and concerto performances throughout Europe, Canada, the USA and South Africa in such prestigious concert halls as the Wigmore, Barbican, Cadogan and Queen Elizabeth Halls in London and the Konzerthaus in Berlin. As soloist he has collaborated with a number of celebrated conductors, including Yasuo Shinozaki, En Shao, James Judd, Diego Masson, Nicholas Cleobury, Gérard Korsten, Vincent de Kort, Theodore Kuchar and Conrad van Alphen.

In 2012, along with duo-partner cellist Anzél Gerber, he was awarded the first prize in the Ibla Grand Prize Competition in Italy. As part of this prize the duo gave a recital at Carnegie Hall, New York.

ADMISSION:

R150 (adults)

R100 (pensioners)

Students can buy tickets at R50 at the venue 50 minutes before the concert commences.

 

Tickets for the concert in the Sand du Plessis are available from PACOFS in St. Andrews Street, Bloemfontein (free, safe parking while you do your booking.). Telephonic bookings can be done at (051) 447-7772.

Business hours:  Monday to Friday 08:30 to 17:00, Saturday 09:00 to 12:00, on performance dates and 50 minutes before a show commences in the Sand du Plessis theatre.

 

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