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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Petronel Malan Concert

PETRONEL MALAN PIANO RECITAL
“Formidable…dizzying…magical.”
4 May 2017
Odeion
19:30


“Formidable…dizzying…magical.” These words of New York reviewer Harris Goldsmith vividly illustrate pianist Petronel Malan's uniquely captivating style. Indeed, as a multiple Grammy® nominee and gold medalist of several international piano competitions, Petronel continues to enthrall audiences worldwide.  Her critical acclaim culminated in the nomination of three Grammy® awards, including “Best Instrumental Solo Album” for her debut disc, Transfigured Bach. As an exclusive recording artist for Hänssler Classic, Transfigured Mozart (2006) and Transfigured Beethoven (2008) followed to great critical acclaim. Transfigured Tchaikovsky (2012) was awarded "The American Prize of Excellence in the Arts”. Her latest album, Transfigured Brahms, was released in September 2015. 

Petronel maintains a full performance schedule as recitalist, orchestral soloist and chamber musician in major venues throughout the world.   Her career was launched following five gold medals in 2000 at international piano competitions throughout the United States (the Louise McMahon, Missouri Southern, Los Angeles Liszt Budapest Concert and Hilton Head International Piano Competitions). She also garnered the grand prize in the 2000 Web Concert Hall Competition and gold medals in both the Grace Welsh Piano Competition and the Young Texas Artist Award.

Born in South Africa, Petronel studied with Adolph Hallis, Joseph Stanford and Albie van Schalkwyk. She debuted with the Johannesburg Symphony Orchestra at age ten and subsequently won all major national competitions. She moved to the USA where she completed both her degrees at the University of North Texas with teachers Steven de Groote, Ralph Votapek, Joseph Banowetz and Earl Wild.

Petronel received the “Rapport/City Press Prestige Award” as one of the “10 Most Inspirational Women in South Africa”. She was awarded both a KKNK “Kanna” and a KykNET “Fiesta” award for her live performances in South Africa.

PROGRAMME
Mozart: Sonata in F major, K. 332 
Heller: 33 Variations on a theme by Beethoven, Op. 130
Eduard Schütt: Two paraphrases on Brahms’ Lullaby, Op. 49 No. 4 and Futile serenade, Op. 84. No. 4
Rachmaninoff: Moments Musicaux, Op. 16 (excerpts) 
Dohnányi: Paraphrase on selections of Brahms Waltzes, Op. 39

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