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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Lusistrata

Production: Lusistrata
Text: Aristophanes
Adaptation & Translation: P. J van Rensburg
Director: Stephanie Brink
Venue: Wynand Mouton Theatre
Dates and times:
15 – 17 September at 19h30

Bookings: Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)


Lusistrata; The Battle of the Sexes...

This September, the University of the Freestate presents Lusistrata at the Wynand Mouton theatre in Bloemfontein . The text for Aristophanes" age old comedy, has been translated and adapted for the modern theatre by P. J van Rensburg. Thanks to the expert guidance of director Dr. Stephanie Brink, the relatively inexperienced cast of third year drama students can say their performance does justice to a story which has stood the test of time.

The action takes place in the city of Athens, which is completely devoid of men. Every man, and every almost-man, has been called to war, and whilst they are being killed off in the fighting, their wives are left at home to raise babies and amuse themselves. Lusistrata has called together the women of Athens and Sparta to come up with a way to force their husbands to come to a peace agreement. The battle of the sexes ensues, as the women select silky, transparent night dresses and dainty shoes as their weapons of choice, coupled with a strategy which relies more on falling back than attacking...Yes, Lusistrata"s fighting methods are alternative, but regardless, she quickly manages to prove that it is the women who will take care of the war!

Althouth it has been adapted, the play still makes use of a traditional Greek chorus and elements of exaggerated costuming. The production makes use of sexual themes and suggestive wordplay but no physical love scenes or nudity and is suitable for audience members 16 years and older.
Lusistrata opens at the Wynand Mouton Threatre on the 15th of September will be running until the 17th of September. Performances begin at 19:30 and tickets are available via Computicket.

For more information contact:

Marijda Kamper
051 401 2160
 

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