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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Master Class and Individual Lessons - Prof. Niel Immelman

Master Class and Individual Lessons
Prof. Niel Immelman

The UFS Department of Music is hosting a piano master class by Prof. Niel Immelman of the Royal College of Music (London). The class takes place on Monday, 30 August, on the stage of the Odeion Auditorium from 14:00 - 17:00.

Two additional teaching sessions will be held at the Department in Room 10:
Wednesday, 1 September, 14:00 - 17:00
Thursday, 2 September, 14:00 - 17:00

Those who wish to participate in teaching sessions on Wednesday and Thursday must submit copies of their pieces by Monday 17:00, from which Prof. Immelman will make selections.

Participants at the master class on Monday, are:
Mauritz Heine
William Earl
Richard Rheeder
Caryn Reed
Stephanie Janecke

Admission to the master class and lessons are free.
For enquiries, contact Ninette Pretorius (051 – 401 2504) or Dana Cilliers (051 – 401 3239)


Niel Immelman FRCM

South African-born Niel Immelman studied with Cyril Smith, Ilona Kabos and Maria Curcio. He was still a student at the Royal College of Music when Bernard Haitink invited him to play Rachmaninoff’s Paganini Rhapsody with the London Philharmonic Orchestra. His highly successful début was followed by further appearances with the London Philharmonic, the Royal Philharmonic and other leading orchestras at the Royal Festival Hall, the Albert Hall and the Amsterdam Concertgebouw, and it marked a concert career that has taken Niel to every continent. His commercial recordings for the Etcetera and Meridian labels have received outstanding critical acclaim and he is the first pianist in history to have recorded the complete piano works of Josef Suk.

His teaching career is equally distinguished. He is Professor of Piano at the Royal College of Music in London, has given master classes at many of the world’s leading conservatoires, including the Chopin Academy (Warsaw), the Hong Kong Academy for Performing Arts, the Moscow Conservatoire, the Royal College of Music (Oslo), the Sibelius Academy (Helsinki), the Toronto Royal Conservatory, the Universities of Berlin and Vienna and the Victorian College of the Arts in Melbourne. He regularly serves on juries of international competitions.
 

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