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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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William Berger (baritone) & Melvyn Tan (piano)


William Berger (baritone) & Melvyn Tan (piano)
4 November 2010
Odeion
19:30

"...one of the best of our younger baritones."
Gramaphone Magazine

"…Tan's technical skill and sensibility produced a very special interpretation of the work, harmonious, and most coherent."
Kronenzeitung (Oliver Lang)

William Berger is an associate and graduate of the Royal Academy of Music. In concert William has performed with the CBSO, LPO, English Concert, Philharmonia Baroque (San Francisco), Hanover Band and Cape Town Philharmonic. Recitals include his Wigmore Hall debut and Wolf's Italienisches Liederbuch (Oxford Lieder Festival) as well as two recordings: Songs of Spring and October Roses. Winner of the Kathleen Ferrier Society Bursary for Young Singers in 1999, he was also awarded a Countess of Munster Trust Scholarship, an MBF grant and the Ernest Oppenheimer Memorial Trust Award. William’s opera roles include roles in La Boheme (Schaunard), Don Giovanni (Masetto), Madam Butterfly (Prince Yamadori), A Hand of Bridge (David), Barber of Seville (Fiorello), The Carmelites (Monsieur Javelinot), Salome (Second Nazarene), Billy Budd (Novice’s Friend), Cosi fan tutte (Guglielmo), Zauberflüte (Papageno), Le Nozze di Figaro (Count Almaviva), The Cunning Little Vixen (Harastra) and Orfeo (Shepherd).

Melvyn Tan has lived in London (UK) since leaving his native Singapore at an early age to study at the Yehudi Menuhin School and the Royal College of Music. His teachers have included Nadia Boulanger, Marcel Ciampi and Vlado Perlemuter. He built a formidable international reputation during a long exploration of the precursors of the modern piano. Since returning to the modern piano in 1996, Melvyn has performed in most major festivals and concert halls throughout the world including many leading concert halls and with orchestras such as, amongst others, the London Philharmonic, the Netherlands Symphony Orchestra, Academy of St Martin's in the Fields, Salzburg's Camerata and Mozarteum Orchestras, New World and Melbourne Symphonies and the Australian Chamber Orchestra. Chamber music and Lieder hold an important place in Melvyn's repertoire. His chamber music and Lieder collaborations are numerous and include Steven Isserlis, Anne-Sophie von Otter and the Škampa Quartet. Melvyn have recently released two CDs with, among others, Mozart’s Piano Concerto no. 12 and Beethoven’s Piano Concerto no. 2

Programme:
Mahler: Selection from Das Knaben Wunderhorn
Liszt/Schubert Transcriptions: piano solo by Melvyn Tan
Schumann: Liederkreis, Op.39
Dvorak: Gypsy Songs, Op. 55
Ravel: Don Quichotte a Dulcinee
Montsalvatge: Cinco Canciones Negras

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk, Izami Florist) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

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