Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
Between Art Violinists & Beer Fiddlers

24 October 2019

Odeion

19:30

An interesting concert with seventeenth century repertoire juxtaposing musicians of different social classes…with a touch of humour!

In this concert Antoinette Lohmann (Baroque violin and clog fiddle) and Jörn Boysen (harpsichord, box guitar and citer) will perform. The diverse early seventeenth century music of the church, royal court, local and the freelance musicians will be illuminated, thereby showing the origin of our well-known music repertoire.

Antoinette Lohmann studied the violin, viola and baroque violin at the Sweelinck Conservatorium (Amsterdam). She has always been active in varied musical areas and her wide-ranging experience includes tango, salon music, folk music and contemporary music. Antoinette has performed and recorded with many orchestras and ensembles all over the world. Currently her repertoire extends from the early 17th to the 21st century, but always performed on period instruments. She is fascinated by unusual instruments, such as the viola d'amore, violino piccolo and tenor violin, and enjoys exploring their repertoire. She has recorded the complete sonatas for piano and violin by Joseph Martin Kraus and Margarethe Danzi, bassoon quartets by Franz Danzi and Krommer, chamber music by Belle van Zuylen and 17th-century Dutch music. Antoinette teaches principal study Baroque violin, viola and historical documentation at the Utrecht Conservatorium and the Conservatorium (Amsterdam).

Conductor and composer Jörn Boysen was born in Lübeck (Germany). After his studies at the Musikhochschule Lübeck, he went to the Netherlands where he studied harpsichord with Tini Mathot and Ton Koopman at the Royal Conservatory (The Hague). As founder and director of Musica Poetica he regularly performs in the Netherlands, France and Russia as guest conductor, soloist or continuo player. Boysen conducted productions of the O.T. Opera Rotterdam, the Utrechtse Spelen and Opéra Mosset. In addition, Boysen has composed various orchestral, chamber and vocal works and music for harpsichord. Boysen’s works have been commissioned and performed by Musica Poetica, De Nederlandse Bachvereniging, Baroque Chamber Orchestra of Colorado (USA), Pratum Integrum (RU), Berlin Philharmonics (D) and the Residentie Orchestra in The Hague (NL), amongst others. Apart from his work as a performer, Boysen works as a repetitor at the Utrecht Conservatory and artistic director of concert organisation Musica Antica da Camera (The Hague).

Furor Musicus (with Antoinette and Jörn) was founded by Antoinette in 2008. The ensemble is primarily devoted to performing and recording little-known 17th- and 18th-century repertoire on period instruments and carrying out the necessary historical research. The name Furor Musicus derives from the term Furor Poeticus, a Latin expression often used to refer to poetic inspiration in ancient Greek and Roman literature. The word ‘furor’ refers to a state of intense excitement, in some cases even bordering on madness. The term Furor Poeticus refers to the capacity to be inspired and inspire others.

PROGRAMME
A non-canonic programme…

  • La Orlandina - Symfonia per un violino ò cornetto e basso se piace from Affetti Musicali, opera prima
  • The church musician…
    Johann Erasmus Kindermann: Sonata Prima from Canzoni. Sonatae, una, duabus, tribus & quator violis, Pars Posterior
  • A court musician who became a monk…
    Johann Marianus Baal: Sonata for violin and continuo - Opus Primum (1677)
  • Re-establishing culture…
    Anonymous: Sonata from the music collection of Prince Bishop Karl Liechtenstein
  • Artful fiddling: Scordatura (differently tuned violin strings)…
    Nicolaes Goor: Sonata in scordatura
  • Attempt to get invited for a position at the court in Vienna…
    Ignazio Albertini: Sonata VII from XII sonata a Violino Solo (ca. 1685)
    Anonymous: Sonata (another one) from the music collection of Prince Bishop Karl Liechtenstein
  • Music for having fun at home…
    Anonymous: Feltstuck van den Comoran in Ungarn from ‘t Uitnemend Kabinet
  • A farmer fiddler versus a real violin player…
    Johann Fischer: Suite - Unterschied zwischen einem rechten Violinist und gemeinen Bauern - Fiedler (Difference between a real violinist and a simple farmer fiddler) from Musicalische Fürsten-Lust (1706)

ADMISSION

  • R150 (adults)
  • *R80 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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