Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
Born in the RSA (Eng)

PLAYWRIGHT: BARNEY SIMON

DIRECTOR: KARABELO LEKALAKE

VENUE: SCAENA THEATRE

LANGUAGE: ENGLISH

 

Dates and times:

29 October 2014              19h30

30 October 2014              19h30

31 October 2014              19h30

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

 

Born in the RSA was improvised from life. The play looks at the atrocities of the apartheid regime. This docu-drama is based on real-life characters that were caught up in the 1985 state of emergency. The play focuses on political events that challenged the perception that, in our society the victims are only those who are oppressed. The audience gets to encounter and listen to personal testimonies of people who were caught in the cross fire. The interwoven stories of the seven characters vividly paint a bleak picture of the apartheid regime and the South African Police’s tactics: the guilt by association, sudden arrest, slow interrogation and forced confessions through torture.

 

Glen Donahue (Magnus Mc Phail) is a Wits University graduate and betrayal is the name of his game. Glen is highly paid by the police to spy on “trouble makers”.  He does not mind compromising people close to him as long as he can be compensated appropriately.  This is evident when he has a steamy affair with Susan Lang (Marle Visagie) simply because he is spying on her. Susan, an art teacher is totally taken by Glen’s charm. Her remarkable characteristic of being loyal to the liberation movement is apparent in the play. However, she seems to be unaffected by the notion of being Glen’s mistress. Nicky Donahue (Imke Reinecke) married to Glen, is kind to blacks, but prefers not to listen to stories of how black people suffer because of apartheid.

 

Sindiswa Ngube (Keketso Tsiane and Petunia Kgotlhe), a black schoolteacher, is guilty of no crime except being the sister of the trade-union leader, Thenjiwe (Dieketseng Dlamini), with whom Susan is affiliated. Sindiswa's punishment in the play is the arrest of her 10-year-old son on trumped-up charges. An Afrikaner activist lawyer Mia Steinman’s (Rona Van Blerk) career is influenced by renewed political activist such as Braam Fischer, Nelson Mandela and Oliver Tambo. Since childhood Mia was exposed to various people visiting her parents’ house and all she wants is equal rights for everyone.

 

The sweet musician Zack Melani (Che Keet) is so disturbed by the cruel treatment of his friend's incarcerated child that, to his horror, he finds himself inexorably driven into becoming ''the black King Kong'' whites fear him to be. As he fantasizes about cracking the skulls of white schoolgirls, the audience sees the begetting of violence by violence.

 

The three day performance of Born in the RSA is at Scaena Theatre from 28 till 31 October at 19:30. Tickets are available at Computicket.

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