Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
White Horse Project
JESS OLIVIERI AND THE PARACHUTES FOR LADIES

You are invited to the opening event of the Vrystaat Kunstefees on Sunday 12 July 2015. Join over 200 fellow Bloemfonteiners in a parade of song, dance and costume down Raymond Mhlaba Street (formally Andries Pretorius Street), to celebrate the White Horse of Bloemfontein, a mysterious rock formation on the side of Naval Hill.

The White Horse has several historical narratives attached to it. Some believe is was created in the image of the horse Thabure (Destroyer of the Enemies), which belonged to Chief Lerotholi, a grandson of King Moshoeshoe, the founder of the Basotho Nation; others believe the British Garrison that was stationed at Naval Hill during the South African War (Anglo-Boer War) of 1899 to 1902 built it because they where restless and wanted something to remind them of home. In addition it was thought that the White Horse served as a landmark and indicator of a hospital for horses injured during the South African War. It is also said that every time a couple kisses at Naval Hill the White Horse moves one step forward and that on a Saturday night you can hear him galloping!

The White Horse Project is about allowing space for the sharing of multiple narratives and celebrating difference of opinion. Given the current debate on statues and symbols in South Africa, the White Horse offers an opportunity to re-purpose and re-imagine symbols in South Africa. For the last two years the project team has been collecting stories for the work and since May 2015 workshops with artists, scholars and community members have been held in order to create performances for the parade.

Join the parade at 3pm at Two Tower Church (Tweetoringkerk), Charles Street Bloemfontein on 12 July 2015. There will be spare instruments and costumes for those who join in. A braai/chesen yama will take place at ‘Nice Place’ 92 Raymond Mhlaba Street (formally Andries Pretorius Street) at the end of the parade.

For more information visit www.facebook.com/TheWhiteHorseProject

Concept: Jess Olivieri
Dramaturge: Gali Malebo
Curatorial advisor: Angela De Jesus
Production Manager: Mandi Bezuidenhout
Production Assistants: Charne Visser, Sandy Little
SituateArt in Festivals Media: Tiani Chilemi
SituateArt in Festivals Executive Director: Kelli Alred
Director Salamanca Arts Centre: Rosemary Miller
Videographer: Louis Kruger (documentary), Luis Herholdt (Elysium Productions)
Lights: Creative Kilowatt Productions
The Parachutes for Ladies (performers): The wonderful artists of Bloemfontein; Soprano Zanne Stapelberg; Hodisa Choir; Navalsig High School; Smiley Kids Association; Bloemspruit School; Sisonke Theatre Production.

The White Horse Project is part of the Programme for Innovation in Artform Development (PIAD/PIKO), an initiative by the University of the Free State and Vrystaat Arts Festival and supported by the Australia Council for the Arts, Free State Department of Sport, Arts, Culture & Recreation, SituateART in Festivals, Salamanca Arts Centre, Arts NSW, NAVA, Creative Partnerships Australia and the University of Sydney.

Secure parking at Two Tower Church and shuttle service will be available.

For further inquiries contact:
Roxanne Konco
Marketing Manager
Tel: +27 (0)51 404 7947 roxanne.konco@volksblad.com

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