Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Arnold van Wyk Centenary Gala Concert

Description: Arnold van WYK Tags: Arnold van WYK

 

 

25 August 2016

Odeion

18:00

 

Arnold Van Wyk Centenary Gala Concert
Presented by the OSM in collaboration with FINE MUSIC RADIO

This gala concert will be presented during the annual SASRIM (South African Society for Research in Music) Congress which will be hosted by the Odeion School of Music (UFS). SASRIM 2016 is celebrating the 10th anniversary of SASRIM as well as the centenary of the birth of South African composer, Arnold van Wyk.

The concert will be recited by OSM staff members and the OSM CAMERATA. The OSM has curated a special concert programme to commemorate celebrated composer Arnold van Wyk. The first part of the programme will consist of three well-known signature Arnold van Wyk works hailing from different time periods in his career.

The concert will be life broadcasted by FINE MUSIC RADIO with Rodney Trudgeon as the host. Listen to this broadcast.


Pastorale e Capriccio
Grethe Nöthling (piano)

Van Liefde en Verlatenheid
Mathildie Thom Wium (mezzo-soprano)
Lesley-Ann Mathews (piano)

Five Elegies for String Quartet
Odeion String Quartet

Koud is die Wind for Chamber Orchestra by Alfred Vorster
OSM Camerata
 
Koud is die Wind was commissioned from alumnus Alfred Vorster by the OSM NEW MUSIC INSIATIVE and will be premiered by the OSM CAMERATA under the baton of the composer. Vorster describes it as a composed interpretation based on the song Koud is die Wind and other themes from Arnold van Wyk’s celebrated cycle Vier weemoedige liedjies. The narrative of this composition aims to depict the final moments of life, characterized by flashbacks of various life experiences as the eternal light nears.

This gala concert will simultaneously serve as the annual OSM Dean’s concert.

The OSM’s new book entitled MUSICS OF THE FREE STATE (Musicology without Frontiers no 2) will formally be released on the 25th of August 2016 in the Odeion foyer directly after the concert. The publication received a sterling review from Prof Harry White, (University of Dublin) in the International Review of the Aesthetics and Sociology of Music 47 (1).


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