Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Liesbeth Schlumberger Organ Chair Events

Description: Schlumberger Tags: Schlumberger 

22 - 29 SEPTEMBER 2016

In 2016, the annual SAKOV meeting & bursary competition will collaborate with the OSM to present a joint initiative with the activities of the Liesbeth Schlumberger Organ Chair.

The Liesbeth Schlumberger Organ Chair was founded in 2015 by the Odeion School of Music, UFS (OSM) and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP is the establishment of partnerships with musicians (soloists, chamber musicians and pedagogues) who enjoy established international careers. On par with international tendencies the aim is to deploy these experts as instructors, coaches and mentors OSM students; this compliments the work of complimentary to the residential OSM performance faculty.

 

The number of students studying the organ has declined significantly in South Africa in the past two decades. The OSM therefore considers it imperative, that the anticipated initiatives and intellectual capital generated by the Liesbeth Schlumberger Organ Chair will be accessible to all South African students and lecturers as well as liturgical and amateur organists.

The main event of the Chair is an annual two week intensive tuition programme given by Liesbeth Schlumberger that aims to mentor and tutor South African organ students and organists. A long-term aim is that talented OSM organ students will have the opportunity to study for a semester or more under Ms Schlumberger in France.

The Southern African Church Organists’ Society (SAKOV) was founded by Prof Albert Troskie in 1980 with the main aim promoting church music and as a professional body that served the interests of church organists. SAKOV has grown into one of the most respected and professional national institutions representing a specific instrument. SAKOV forms a link between organists and other interested parties, and provides subject-related information and guidance.  The organisation also serves in an advisory capacity and lays down guidelines and recommendations with regard to salaries and service contracts of organists.  A range of substantial study bursaries are also annually awarded by SAKOV, with the aim of advancing advance and maintaining the quality of organ playing as well as the advancement and research church music.

 

SOME HIGHLIGHTS OF THE EVENT:

CONCERTS

22 September (17:30 – 18:30)

Liesbeth Schlumberger

German Lutheran Church St Paulus (Ott Organ)

Programme: works by Jan Pieterszoon Sweelinck, John Bull, Georg Böhm

Free entrance

 

22 September (22:00)

Late Night Concert with works by Olivier Messiaen Concert

Eljee Du Plooy (PhD Performance) & Gerhard de Bruin (MMus Performance) students from the

OSM Organ Class of Dr Jan Beukes

Sacred Heart Catholic Cathedral, Bloemfontein (Allen Organ)

Programme: Olivier Messiaen: L'ascension & La Nativité du Seigneur

Free entrance

 

23 September (19:30)

Liesbeth Schlumberger in Concert

Odeion (SAOB Organ rebuilt by Elsenaar J, Protea Orrelbouers)

Programme: works by César Franck, Maurice Duruflé & Julius Reubke

Tickets at Computicket or at the door.

 

24 September (13:00 - 14:00)

Lunch Hour Concert

Kovsie Church (Marcussen Organ)

Free entrance

 

24 September (19:30)

SAKOV Bursary Gala Concert

Odeion (SAOB Organ rebuilt by Elsenaar J, Protea Orrelbouers)

Tickets at Computicket or at the door.

 

25 September (09:00)

Morning Service accompanied by Liesbeth Schlumberger

German Lutheran Church, St Paulus (Ott Organ)

 

LECTURES & MASTER CLASSES

23 September

Odeion (Odeion Organ SAOB, rebuild by Elsenaar J, Protea Orrelbouers)

13:00 - 14:30 Church Music master class by Dr Mario Nell (Department of Music, Stellenbosch University)

15:00 - 16:30 Church Music master class by Dr Jan Beukes (Odeion School of Music, UFS)

 

24 September

Kovsie Church (Marcussen Organ)

09:00 - 09:15     SAKOV Honorary Membership Award (posthumous) Rev Cassie Carstens

10:00 - 11:00     Gawie Cillié Memorial Lecture by Prof Elsabé Kloppers Hymnologist:

Klinkende ruimte:  Die kerklied as ekumeniese simbool.

11:00 - 12:00     Lecture by Liesbeth Schlumberger

“L'Art de Toucher / The Art of Touch / Die kuns van musikale aanslag

 

26 - 29 September

Master classes presented by Liesbeth Schlumberger

Odeion (SAOB Organ rebuilt by Elsenaar J, Protea Orrelbouers)

Kovsie Church (Marcussen Organ)

More information available from OSM@ufs.ac.za   or   051 401 2810

 

OTHER EVENTS

22 September (14:00 - 16:30)

Organ Marathon

Dutch Reformed Church, Langenhovenpark

 

24 September (14:30 17:00)

Organ Safari, commencing from the Kovsie Church (Marcussen Organ)

CURRICULUM VITAE LIESBETH SCHLUMBERGER-KURPERSHOEK

South African born Liesbeth Schlumberger-Kurpershoek commenced her organ studies while still at school by travelling fortnightly from Vryheid, Northern Natal, to Parktown, Johannesburg, for lessons with the late Prof Stephanus Zondagh. This doyen of South African organ pedagogues taught for many years at the Department of Music at the University of Pretoria from where Liesbeth subsequently graduated.

 

In 1985 she won both the prestigious SABC Music Prize and the UNISA OVERSEAS Study Bursary which enabled her to continue her organ studies in France under the tutelage of Marie-Claire Alain at the Conservatoire National de Ruiel-Malmaison. Schlumberger-Kurpershoek studied the harpsichord under the guidance of Huguette Dreyfuss.

 

Schlumberger-Kurpershoek furthered her organ studies under Jean Boyer at the Conservatoire National de Région in Lille and improvisation with Jean Langlais. In 1989 she won first prize in the International Organ Competition held in Bordeaux.
In 1994, Liesbeth was appointed as Organist of the Eglise Réformée de l'Etoile inParis, a two minute walk from the Arc de Triomphe. The Reformed Church of Etoile has an excellent Mutin-Cavaillé-Coll organ which is perfectly suited to the repertoire of French organ music of the 19th and 20th century. As organist she is also responsible for a concert series entitled "Sunday Music" at which some of the finest musicians in Europe perform.

Liesbeth Schlumberger was appointed in 1996 as assistant to Jean Boyer at the Conservatoire National Supérieur de Musique in Lyon (France). This legendary pedagogue passed away in 2004 at the young age of 56. Since 2005 Liesbeth Schlumberger and Francois Espinasse have carried forward his legacy in Lyon. In addition, she is an active recitalist and frequently conducts masterclasses.

In 2010 she was an adjudicator at the Chartres International Organ Competition, one of the most prestigious of its kind in the organ world.

 

The detailed programme will be available on

OSM WEBPAGE

www.ufs.ac.za /music 

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