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Stockton Revealed
2018-03-04

Stockton Revealed

4 March 2018

Odeion

16:00

Stockton Revealed is an unique concert with a variety of Classical and Jazz compositions by well known celebrated composer and pianist, Noel Stockton.

Noel Stockton has established a wide reputation as a leading arranger, composer, performer, teacher and Jazz educator. He has been involved in all spheres of music for over fifty years.

Born in Benoni, Noel was a member of many well known South African bands in his youth, and broadcast extensively during the fifties and sixties. Subsequently he has conducted, arranged and composed, and performed for jazz ensembles, symphony orchestras and wind bands.

SAMRO commissions (compositions) include Manguang Suite (premièred and conducted by Dr F Fennell, USA), Concerto for Stageband premièred in 1994, by the Cape Town Jazz Orchestra Conversation Piece (Suite for String Quartet and Clarinet), Sol Y Sombra (Suite for String Quartet, Castanets and Clarinet.). Other compositions include Adagio for Strings, South African Folk Song Rhapsody, Invictus (orchestral prelude) for Jazz quartet and Symphony Orchestra, Gossip for Saxophone and String Orchestra and Three Pieces for Clarinet and Piano.

Productions as music director/conductor include Pacofs Goes Pop, Noel Stockton Big Band Shows I and II, You’re a Good Man Charlie Brown, Snoopy!!!!!, Die Goue Kring (also composer), Met Permissie Gesê, Romeo and Juliet, Brommer in die Boord, Nathaniel and Stockton in Concert, Grease, The Wiz, Sound of Music (for Eunice High School) and Flamenco - Jazz Fiesta.

Noel was a member of the PACOFS Symphony Orchestra and Senior Lecturer at the Musicon in Bloemfontein for 17 years, and lecturer in Jazz Studies and Theory at the University of the Free State and Pretoria University.

Musicians who will perform, include Noel Stockton (piano), the Nöthling-Strydom Duo (with Danrè Strydom – clarinet and Grethe Nöthling – piano), Francois Henkins (violin), Elspeth Neary (violin), Anna van Niekerk (viola), Anmari van der Westhuizen (cello), Tilla Henkins (cello), Geruan Geldenhuys (flute), Xavier Cloete (bassoon), Marco D’Angelo (trumpet), George Foster (tuba), Petro Engelbrecht (piano), Lesley-Ann Mathews (piano) and Jasmin Antonie (castanets).

PROGRAMME:

  • Six short pieces for Violin and Piano
  • Antiphonals for Trumpet and Piano
  • Diversions for Violin, Recorder and Piano
  • Invocation and Chant for solo V’Cello and Bembe
  • Three pieces for Clarinet and Piano
  • Sonatina for Tuba and Euphonium (Bassoon)
  • Sol Y Sombra Suite (in honour of Uys Krige)
  • Dance suite for Flute and String Quartet

ADMISSION

  • R70 (adults)
  • *R50 (pensioners)
  • *R50 (UFS staff)
  • *R40 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Quartet For The End Of Time

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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