Years
2019 2018
Antonio Pompa-Baldi
2018-05-24

24 May 2018

Odeion

19:30

Born and raised in Foggia (Italy), Antonio Pompa-Baldi won the Cleveland International Piano Competition in 1999 and embarked on a career that continues to extend across five continents. A top prizewinner at the 1998 Marguerite Long-Jacques Thibaud Competition in Paris (France), Antonio Pompa-Baldi also won a silver medal at the 2001 Van Cliburn International Piano Competition.

Antonio appears regularly at the world's major concert venues including New York's Carnegie Hall, Paris' Salle Pleyel, Milan's Sala Verdi, Shanghai's Grand Theatre, and Boston's Symphony Hall. He performed in London, Tokyo, Seoul, Los Angeles, Philadelphia, Kiev, Auckland, Hong Kong, and Beijing, and conducted masterclasses at the China National Conservatory. Pompa-Baldi has played with the Houston Symphony, Berliner Symphoniker, Orchestre Philharmonique de Radio France, Boston Pops, and Colorado Symphony, among many others. He has collaborated with great musicians and conductors such as Hans Graf, James Conlon, Louis Lane, Keith Lockhart and Miguel Harth-Bedoya.

His extensive recording catalogue features 20 CDs and is constantly growing. They include the entire piano repertoire of Grieg in twelve CDs, a live recital of his award-winning Cliburn Competition performances and “The Rascal and the Sparrow - Poulenc meets Piaf” piano arrangements of songs by Francis Poulenc and Edith Piaf. His CD, “After a reading of Liszt”, is a tribute to Liszt, and other recordings include an all-Schumann disc, an all-Rachmaninoff CD, as well as the Rheinberger Piano Sonatas. Pompa-Baldi is now recording the complete Hummel Piano Sonatas.

In May 2014 Pompa-Baldi completed live performances of all the Rachmaninoff Concertos and Paganini Rhapsody with the CPO. In January 2015, he performed a recital at the First Lang Lang International Piano Festival in Shenzhen (China). In March 2015, he performed all the Beethoven Concertos in Fresno (CA). Other recent notable engagements include the Cheyenne Symphony (Respighi Piano Concerto), Nova Scotia Symphony (Rachmaninoff Second and Third Piano Concertos), and recitals in Wenzhou and Xiamen (China), San Jose (CA), Ravello Festival, Todi International Music Masters festival and the island of Sardinia (Italy).

A Steinway artist, Pompa-Baldi is on the piano faculty of the Cleveland Institute of Music. He is the founder and faculty member of Todi International Music Masters (Italy), and sits on the juries of the most prestigious piano competitions of the world, including the Cleveland International Piano Competition, the Hilton Head Piano Competition, the International Edvard Grieg Piano Competition in Bergen (Norway) and the San Jose International Piano Competition.

www.pompa-baldi.com

PROGRAMME

  • Johann Nepomuk Hummel: Sonata Op.13 in E flat
  • Five French songs of Poulenc and Edith Piaf
  • Francis Poulenc: Napoli Suite
  • Giuseppe Martucci: Fantasia Op. 51
  • Nikolai Medtner: Sonata Tragica
  • Roberto Piana: Improvisations on Neapolitan Songs

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Tears

WRITER: ZUKISWA WANNER

ADAPTATION BY: MASEDI GODFREY MANENYE

DIRECTOR: MASEDI GODFREY MANENYE

VENUE:  SCAENA THEATRE

LANGUAGE: ENGLISH

 

Dates and times:

11 March 2015                 19h30

12 March 2015                 19h30

13 March 2015                 19h30

 

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

The story is portrayed against the South African landscape as seen through the eyes of a child, the child being South Africa as a young democracy.

 

In Tears we witness how the thoughts of nine characters representing different spheres of society erupt from their experiences and their feelings result in tears. The play takes us through a journey of understanding what they feel and cry for, whether they are tears of joy  or tears of sadness. Wrapped around their feelings are the core hints of sexual frustration, political power, education, racial suggestions, loss, hopelessness and secrets. The heaviness of this eruption has a rippling effect on the whole country, for what the child experiences in his childhood, influences and changes his perception of the country. 

Is this truly what shapes us?

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