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Liesl & Albie in Concert - Flute recital
2018-05-10

10 May 2018

Odeion

19:30

Liesl Stoltz studied at the University of Stellenbosch after which she studied in France and Italy where she obtained diplomas with distinction. She numbers among her teachers Éva Tamássy, Shigenori Kudo, Pierre-Yves Artaud and Peter-Lukas Graf and has won numerous prizes in national and international competitions in Romania and Germany. She has appeared as soloist with the Cape Town, Eastern Cape and Johannesburg Philharmonic Orchestras, the Free State Symphony Orchestra and with the UCT String Ensemble, Camerata Tinta Barocca and Odeion Sinfonia. In June 2010 she obtained the degree DMus from UCT. At present she performs extensively as soloist and chamber musician in South Africa and teaches privately and at the South African College of Music (University of Cape Town).

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

www.lieslstoltz.co.za

www.sacm.uct.ac.za/sacm/staff/fulltime/assocProfessors/AlbieVanSchalkwyk

Programme

  • Johann Nepomuk Hummel: Sonata, Op. 50
  • Gabriel Fauré: Fantasy, Op. 97
  • Georges Enescu: Cantabile et Presto
  • Bohuslav Jan Martinu: Sonata
  • Benjamin Godard: Suite de trois Morceaux, Op. 116
  • Frank Martin: Ballade
  • Robert Muczynski: Sonata, Op. 14

Admission

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

Enquiries
Ninette Pretorius (tel. 051 401 2504)


Back
Uhambo Lwami (E)

Production: Uhambo Lwami (E)
Text: Concieved and devised by Kingdom Moshounyane & cast
Director: Kingdom Moshounyane & Bunch Sekhobo
Venue: Scaena theatre
Dates: 27 - 30 October 2009
Time: 19h30

Tickets:
R 30.00 for adults,
R 25.00 for group bookings 10+,
R 20.00 for students
R 25.00 for scholars/pensioners
R 15.00 Club Theatron

Tickets available at Computicket (Mimosa Mall & any Checkers) or at the door.


“The road of life twists and turns and no two directions are ever the same. Yet our lessons come from the journey, not the destination” Don Williams, Jr. (American Novelist and Poet 1968).

In life we move into places and spaces, this places and spaces become our destinations or destiny. Sometimes we fight to belong, we lose or win become its fate. As we journey through life we accumulate experiences and acquire material belongings. Sometimes one stay in a place or phase is determined by material acquired during the period stayed, this halts one’s journey for in good or a bad way. Sometimes when we move me lose our material acquisitions. Life therefore becomes a process of moving and staying; this process involves accumulation and loss. However the journey is always remembered its positives and negatives. In this production, the journey through life is explored through a number of interrelated and independent stories. The stories explore the impact of the personal journeys, experiences, loss, gains and memories.

These stories are personal stories of the actors, which were gathered during the process of rehearsals, but it is also the personal journey of the directors Kingdom Moshounyane, as he confronts what he has learnt over the many years that he has been involved in the theatre. Kingdom confronts longstanding theatrical conventions as he embarks on journey of growth both as Scholar and a theatre-practitioner. The production is also the beginning of the journey for the two assistant’s directors Meschack Bunch Sekhobo and Alcapone Peterson. These two well known actors make their directorial debut in this production, as they begin to embark on their directing journey.
 

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