Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Classic Guitar Fantasy with CH2

Guitar Duo with Corneille Hutton & Dirkie van Staden

28 March 2019
Odeion
19:30

“Multi-award winning CH2 will blow you away with their style and virtuosity on two classical guitars!”

Now, in their 18th year as professional musicians, CH2 goes from strength to strength with Insomnia, their 11th album to date. One of the tracks on the album went to number seven on radio stations in Australia and enjoys worldwide radio play. This magical duo’s best claim to fame is achieving first place in the Worldwide Classical/Flamenco category in the Lee Ritenour Six String Theory International Guitar Competition, held in the USA. This is the single biggest, most prestigious, guitar competition in the world, covering all genres and styles of music on the six-stringed instrument, all competing in one arena. With their flawless, effortless technique and pulsating rhythms, they showcase what can be done on only two Classical guitars. CH2 is a proud member of the Grammy Foundation and will enter Insomnia in the next round of the Grammys. CH2 has won numerous awards over the years, with two SAMA (South African Music Award) awards for best instrumental/classical album. The SAMA is arguably the top music award in the whole of Africa. They’ve also won two Ghoema awards as well as a Geraas, Oscar and VryFees award respectively.

Corneille Hutten is a multi-award winning Classical soloist who founded CH2 18 years ago with the aim to introduce Classical guitar to a larger audience. As part of CH2, he was winner of numerous awards including the World Classical / Flamenco category in the 2011 Lee Ritenour Six String Theory International Guitar Competition and as a soloist, he has been awarded the overall first place in various Eisteddfods.

Dirkie van Staden is a multi-instrumentalist. His focus, however, is on Classical guitar on which he displays a unique and distinctive rhythmic style. Few guitarists can compare with his virtuoso nuevo-flamenco and Spanish Rasgueado technique. His rhythmic ingenuity has become one of the cornerstones of CH2’s unique sound. He enjoys conducting wind bands and has an honours degree (cum laude) in music education.

PROGRAMME

  • Isaac Albéniz: Asturias
  • Manuel de Falla: The Miller's Dance
  • Francisco Tárrega: Requerdos de la Alhambra
  • Joaquín Rodrigo: Aranjuez (Theme of the Adagio)
  • Johann Sebastian Bach: Air on a G String
  • Stanley Meyers: Cavatina
  • Ennio Morricone: The Mission Theme
  • Ernesto Lecuona: Malagueña
  • Johann Pachelbel: Canon in D
  • Franz Schubert: Ave Maria
  • Ludwig van Beethoven: Moonlight Sonata
  • G. Capurro / E. di Capua / A. Mazzucchi: O Sole Mio

ADMISSION

  • R150 (adults)
  • *R80 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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