Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Trio du Cap Classique

with

Liesl Stoltz (flute), Anmari vd Westhuizen (cello) & François du Toit (piano)

1 August 2019

Odeion

19:30

Liesl Stoltz started studying the flute with Éva Tamássy and furthered her studies in France with Shigenori Kudo, Pierre-Yves Artaud and Chantal Debushy at the École Normale de Musique de Paris: Alfred Cortot. She later trained in Italy with maestro Peter-Lukas Graf at the Accademia Internazionale Superiore di Musica: Lorenzo Perosi. Her album Explorations – South African Flute Music won the category “creative output” in the annual Humanities and Social Sciences awards (2017). Other awards include first prize in the 12th Friedrich Kuhlau International Flute Competition (Germany), 3rd place in the 2007 International Flute Competition (Timisoara, Romania) and finalist in the 2005 Leonardo de Lorenzo International Flute Competition (Italy), to name a few. Liesl has performed in both South Africa and Europe. She lectures at UCT and plays a Yamaha 900 series 14k flute. She is a Yamaha South Africa Artist since May 2018.

Anmari van der Westhuizen graduated from the University of Stellenbosch (BMusHons), from the Mozarteum, Salzburg (Grosses Diplom), and from the Hochschule für Musik (Cologne) with Maria Kliegel (Konzertexamen). In 2013 Anmari received her PhD from the University of Pretoria. She has won prestigious competitions including the ATKV Forte Competition, the SABC Competition and the Oude Meester Competition. She performed in Australia, Austria, Belgium, Faroe Islands, Germany, Hungary, Italy, Japan, Poland, South Africa, Spain, Switzerland, Turkey, United Kingdom, USA, Zambia and Zimbabwe.

François du Toit is an Associate Professor of Piano and Head of Practical Studies at the UCT. He completed an BMusHons at UCT under Laura Searle. Also holding diplomas up to Fellowship level from the Trinity College of Music London, he studied for the Solistendiplom at the Hochschule für Musik und Theater (Hannover, Germany). Francois took top prizes in the 1991 Hannover Music Competition, the 1992 Rotterdam and 1993 Marsala Internationals, and the 1994 International Maria Callas Competition (Athens). François has over 40 concertos in his repertoire. He is constantly in demand as accompanist for visiting artists. In July 2006 he released a solo CD comprising works of Bach-Busoni, Haydn, Mendelssohn and Chopin. In 2010 TwoPianists record label released his recording of the Tchaikovsky Piano Concerto No. 1 and the Rachmaninoff Paganini Variations. He has given recitals and masterclasses in America, Asia and Europe and undertook concert tours to Paris, Vienna and Cardiff.

PROGRAMME

  • Hummel: Trio Op. 78 in A major
  • Villa Lobos: Assobio a Jato
  • Gaubert: Three Watercolours
  • Menselssohn: Trio in D minor, Op. 49

ADMISSION

  • R130 (adults)
  • *R70 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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