Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
International Clarinet Extravaganza

The second INTERNATIONAL CLARINET EXTRAVAGANZA will take place from 28 January until 1 February 2020 at the UFS ODEION SCHOOL OF MUSIC (OSM) in Bloemfontein under the curatorship of Dr Danré Strydom.

The international mentors and soloists for the Extravaganza will be performing in several concerts during the festival:

Concert 1

International soloists with piano
30 January 2020
19:30
Odeion
Entrance: Free
Program: Mendelssohn, Mangani, Weber, Hanssens
Soloists: Eddy Vanoosthuyse (Belgium), Danré Strydom (South Africa), Danielle Roussouw (South Africa), Severine Sierens (Belgium), Bence Szepesi (Hungary)
Collaborative pianists: Anneke Lamont, Cèzarre Strydom, Lesley-Ann Botha, Jana Mathee

Concert 2

Clarinet, String Quartet & Canapés
31 January 2020
19:00
Warmkaroo
Entrance R295.00 (includes canapés/bowl food)
Book by 25/01/2020 – www.warmkaroo.com
Program: Weber, Mozart, Brahms, Grign
Clarinet Soloists with the Odeion String Quartet

Concert 3

Gala concert with the Free State Symphony Orchestra
1 February 2020
19:30
Odeion
Entrance: Free
Program: Molter, Bach, Schreiner, Frost, Weber
The program will include a performance of Bach’s Concerto for four pianos (Anneke Lamont, Cezarre Strydom, Lesley-Ann Botha, Jana Mathee).
The festival clarinet choir will also be part of the programme, celebrating Beethoven.

Danré Strydom, the clarinet and saxophone lecturer at the OSM, stated the main objectives of the festival is to expose South African clarinet players, from beginners to advanced, as well as teachers and lecturers, to international clarinet trends and excellent artistry. Apart from the artistic events and masterclasses, workshops will also be presented regarding technical aspects with reference to mouthpieces, instruments, reeds and other equipment.

Further information re the soloists:

The official accompanists for the extravaganza will be Dr Anneke Lamont and Lesley-Ann Botha of the OSM, Dr Jana Mathee of the North-West University School of Music as well as Cézarre Strydom from the Paul Roos Gymnasium (Stellenbosch).

Detailed information about the complete programme and all the international artists and mentors can be acquired from the official Facebook Page Za-International-Clarinet-Extravaganza.

(email: clarinetextravaganza@gmail.com)

The official partners for the event are the OSM, FSSO, Odeion String Quartet, OSM Camerata, Buffet Crampon, RZ instruments, Arts Trust, Rupert Foundation, and the International Clarinet Association.

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