Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
DAVID HELBOCK – Solo Piano

Playing compositions from the recent ACT CD release Playing John Williams & Into the Mystic

12 March 2020

Odeion

19:30


“Great!” - Jazz thing (DE)
“Accomplished, melodic playing” - The London Times (GB)
“David Helbock is a musician to watch. [...] An impeccable pianist with a clear, crisp touch.” - Jazzwise (GB)
“Best of all, of course, is the pianism of David Helbock. He has a magical and mysterious relationship with the keyboard… a masterclass in careful control of nuance and ineffable beauty.” - Jazz da Gama (Canada)

Two rewards and the audience prize at the world biggest jazz-piano-solo competition of the Jazz Festival Montreux (CH), a lot of enthusiastic international reviews for his CDs, and tours all over the globe with his own projects - David Helbock has, without a doubt, already had a great international musical career.

The new program Playing John Williams is also the title of his fourth solo piano album after the releases Emotions (2003), Time (2007) and Purple (2012).

Since 2016 David Helbock is an exclusive artist with the well-known German jazz label ACT-Music with whom he has released two albums already – Into the Mystic (2016) and Tour d’horizon (2018). Playing John Williams, his third CD with ACT now, is a solo piano album, which was released end of August 2019.

On this album, David Helbock deals with the music of John Williams, one of the most famous film music composers of all time, who wrote nearly all the music to Steven Spielberg´s Blockbusters.

David Helbock connects seamlessly to two of his projects in the past. On the CD Purple (Traumton - 2012) the pianist dealt with compositions of the famous pop artist Prince and already back then transferred and reduced Pop Culture into his unique and creative solo piano language. On the CD Into the Mystic (ACT - 2016), David Helbock, who was awarded the most important prize of Austria – the Outstanding Artist Award in 2011, dealt with mystical stories from different mythologies together with his trio with bass ukulele and drums.

Already back then the trio touched on the music of John Williams and played an arrangement of the film music of Star Wars - a film full of cross-connections between different mythological elements.

Film music from blockbusters like Indiana Jones, Harry Potter to Jaws or Schindler´s List are reduced to their essence and shine like new in unique, creative and jazzy solo piano arrangements.

David Helbock will also perform some of his own original compositions from his album Into the Mystic - a programme that dives into a spiritual world. David was inspired to write compositions by stories of different cultures and their mythology. In this way, some very driving pieces, along with the spirit of our time but also many quiet, mystical moments, emerged.

PROGRAMME

  • Hedwig’s Theme Version 1 (John Williams)
  • E.T. (John Williams)
  • Hymn to the Fallen (John Williams)
  • Jaws (John Williams)
  • Schindler’s List (John Williams)
  • Escapades (John Williams)
  • Hedwig’s Theme Ver. 2 (John Williams)
  • Eros (David Helbock)
  • AM (David Helbock)
  • Spiritual Monk (David Helbock)
  • The Soul (David Helbock)
  • Duel of the Fates - Star Wars Episode 1 (John Williams)

ADMISSION

R160 (adults)
*R80 (pensioner s and UFS staff members)
*R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

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