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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Free State Symphony Orchestra conducted by Bernhard Gueller

Soloist: Harriet Mackenzie (violin)
Thursday 20 September 2012
Odeion
19:30

Programme:
Beethoven: Leonore Overture No. 3
Schubert: Symphony No. 7 (“Unfinished”)
Brahms: Violin Concerto in D major, opus 77

The internationally renowned conductor Bernhard Gueller will be back in Bloemfontein during September to conduct the Free State Symphony Orchestra in a concert in the Odeion on Thursday 20 September. Exciting young British violinist Harriet Mackenzie will be the soloist in Brahms’ monumental Violin Concerto in D major. The rest of the programme consists of Beethoven’s Leonore Overture No. 3 and Schubert’s Symphony No. 7 known as the “Unfinished”.

Bernhard Gueller has been music director of Symphony Nova Scotia in Halifax, Canada since 2002. Well known to audiences internationally for the passion, mastery and drama he brings to the concert hall podium, Gueller is also acclaimed for his “profound interpretations”, the “stunning responses he gets from musicians” and the excitement he elicits. He is acclaimed by musicians, critics and audience for his musical purity and continually garners praise for the fresh approach he brings to the podium.

He has also served as music director, principal conductor and principal guest conductor with various orchestras, including the Cape Town Philharmonic Orchestra, the Nuremberg Symphony Orchestra and the Johannesburg Philharmonic Orchestra. Gueller has collaborated with many leading soloists such as cellists Daniel Mueller-Schott, Maria Kliegel, Claudio Bohorquez and David Geringas; pianists Anton Kuerti, Jon Kimura Parker, Ivo Pogorelich, Ignat Solzhenitsyn, Lars Vogt, Peter Donohoe, Philippe Bianconi and Wayne Marshall, violinist James Ehnes, trumpeter Maurice Andre and entertainers Lionel Ritchie and David Foster.

He has made many recordings for national and international broadcast. His CD, Dancing in the Light, of works by contemporary Canadian composer, Christos Hatzis, with Symphony Nova Scotia, was released to critical acclaim. This followed a CD with mezzo soprano Hanneli Rupert and the Cape Philharmonic Orchestra and others with the Radio Symphony Orchestra Stuttgart, German Brass and the Stuttgart Chamber Orchestra.

Harriet Mackenzie has toured Europe, America, China, South America and Japan as a soloist, recitalist and chamber musician. Harriet made her highly acclaimed Purcell room debut as part of the Park Lane Young Artists Series. Since then she has given recitals worldwide in prestigious venues such as the Wigmore Hall, Concertgebouw and the Expo Dome in Japan. Harriet regularly performs concertos both in England and abroad. She has broadcast recitals 'live' for BBC Radio 3, Classic FM and for Hungarian National Radio.
A keen chamber music player, her groups include 'Retorica' – a two violin duo with violinist Philippa Mo, the 'Sutherland Duo' with Christina Lawrie (winners of the Enterprise Music Scotland Award 2012). 'In Accord' with accordionist Milos Milivojevic and with Kosmos - an innovative, unique string trio.

Admission
R120 (adults)
R80 (pensioners)
R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com  

Enquiries:
Ella Kotze (FSSO), tel. (051) 401-2342 (08:00 – 13:00)
www.fsso.org.za
 

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