Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
LUKÁŠ VONDRÁCEK piano recital

6 March 2015

Odeion

19:30

 

"Lukáš Vondrácek drew the finest possible lines and added bell-like sounds as soft as butter, allowing the disparate compositional elements to become part of a greater whole. It comes as no surprise that this young musician is recognized as one of the greatest pianistic talents of our times.” (Stuttgarter Zeitung, April 2012)

 

"27-year-old Czech pianist Lukáš Vondrácek and conductor Anu Tali collaborated on a brilliant reading of Rachmaninoff’s “Rhapsody on a Theme of Paganini,” bringing out inner voices and colors that made this work seem reborn. There were ripples of humor, stretches of passion and intense musicality that delineated the kind of music-making generally relegated to the best of chamber performances." (Herald-Tribune (Sarasota), November 2013)

 

 

Born in Opava (Czech Republic) in 1986, Lukáš gave his first concert at the age of four and now, has already visited 27 different countries giving in excess of 1000 concerts.  His first international tour was at the age of ten. 

 

He also spent time studying at the Vienna Hochschule with Prof Peter Barcaba, at the Academy of Music in Katowice (Poland), with Prof Andrzej Jasinsky, and at Ostrava University with Prof Rudolf Bernatik.  Currently Lukáš is pursuing an Artist Diploma at the New England Conservatory (Boston) under the tutelage of Prof Hung-Kuan Chen.  He performed debut recitals at La Cite in Paris, the Palais des Beaux Arts (Brussels), the Auditorio Nacional (Madrid), the Concertgebouw (Amsterdam) and the Tonhalle (Zurich).

 

Lukáš made his debut with the Czech Philharmonic Orchestra and conductor Vladimir Ashkenazy in May 2002.  As a concert soloist Lukáš has played with orchestras throughout the world: the Philharmonia, Royal Liverpool, and Royal Scottish National Orchestra (UK), St. Petersburg Philharmonic, Hong Kong Philharmonic, Cape Town Philharmonic, Deutsches Symphonie-Orchester (Berlin), Malta National Orchestra and the symphonies of Iceland, Dallas and Cincinnati. 

 

He has toured in Japan with the NHK Symphony. In December 2007 he performed in Sao Paulo (Brasil), with one of the leading orchestras in South America, the Orquestra Sinfonica do Estado de Sao Paulo.  During the 2008/2009 season he made his recital debut in Istanbul before returning to the US for a number of concerts with the El Paso, the Colorado, and the Baltimore Symphony Orchestras.  Performances in Germany, Switzerland, Canada, the United States, Nigeria and Great Britain were among the highlights of the 2010/2011 season.  Engagements of 2011/2012 include concerts with the Orchestre National de Belgique, Orquestra Sinfonica Portuguesa, London Philharmonic and Washington's National Symphony Orchestra.

 

In 2010 he won first prize at the 10th Hilton Head International Piano Competition in South Carolina (USA).  In 2012 he took first prize, grand prize plus four special prizes at the 2012 UNISA Vodacom International Piano Competition (Pretoria). 

 

PROGRAMME

Mozart: Sonata No. 10 in C major, K.330

Smetana: Three Czech Dances (Furiant, Hulán, Cibulicka)

Dohnanyi: Capriccio from Four Pieces, Op. 4 No. 2

Suk: Piano Pieces, Op. 7 (No. 1 Love Song, No. 4 Little Idylls)

Schumann: Symphonic Etudes, Op. 13

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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