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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Duby Duo Jazz Concert

18 June 2015

Odeion

19:30

 

This concert is dedicated to Noel Stockton – legendary Jazz pianist who has established a wide reputation as a leading jazz arranger, composer, performer and teacher.

 

Marc Duby was born in Cape Town where he obtained a BA degree (majoring in English) from the University of Cape Town in 1975, having begun his professional career as electric and acoustic bassist in that city in 1972. He returned from overseas to begin musical studies at the University of Cape Town in 1980, culminating in the award of the first masters’ degree in jazz performance (cum laude) in South Africa (University of Natal, 1987) under the supervision of Prof Darius Brubeck. Duby completed his PhD thesis at the University of Pretoria in 2007 on the topic of Soundpainting - the framework for live composition developed by the New York composer / saxophonist Walter Thompson. Awarded established researcher status in 2010 by the National Research Foundation, he has presented papers at conferences in Brazil, England, Greece, India, Italy, Mexico, and the United States.

 

A prize-winning composer of film music, Marc Duby is active as a performer, composer/arranger, and music educator, and currently serves as research professor in musicology in the Department of Art History, Visual Arts and Musicology at UNISA. 

 

Viljoen, associate professor and acting Artistic Head of the Odeion School of Music (UFS), is the foremost expert of Schenkerian Analysis in South Africa and is a celebrated South African pianist.  Upon the release of his second CD, Transcendental Schubert, critic Paul Boekkooi remarked the following about Viljoen’s playing: “Viljoen se spel weerspieël Schubert se ander-wêreldse gevoel en intieme spiritualiteit en versoen die komponis se Klassieke én Romantiese inslag op ideale wyse”.

 

PROGRAMME

Just in time (Irving Berlin)

Satin doll (Ellington-Strayhorn-Mercer)

Waltz for Debby (Evans-Lees)

Can’t help lovin’ dat man of mine (Kern-Hammerstein)

Round midnight (Thelonious Monk)

As time goes by (uit Cassablanca)

Strangers in the night (Frank Sinatra)

All the things you are (Kern-Hammerstein)

One note samba (A C Jobim)

Silence (Charlie Haden)

In a mellotone (Duke Ellington)

Body and soul (Heyman-Green-Sour-Eyton)

Song for the whales (Charlie Haden)

Bluesette (Toots Thielemans)

Quiet nights of quiet stars (A C Jobim)

Don’t get around much anymore/ I’m beginning to see the light (Duke Ellington / Ellington-James-Hodges-George)

Take the A train / The girl from Ipanema (Duke Ellington / A C Jobim)

 

ADMISSION

R110 (adults)

R70 (pensioners)

R60 (UFS staff)

R40 (students and learners)

R40 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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