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2019 2018
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LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Mozart Gala Evening

Soloists:          Caroline Nkwe, Annemarie Steenkamp, Bongani Makhanya, Phenye Modiane, Christopher Vale and members of the BTE VO1SS Academy

Conductor:       Alexander Fokkens

Date:                Saturday 20 April 2013

Venue:             Odeion

Time:                19:30

After the success of the Verdi Gala Concert last year, the Free State Symphony Orchestra decided to join forces with the Black Tie Ensemble & Voice Opera One Stop Shop (BTE VO1SS) again to present a concert with excerpts from operas. This year the focus will be on music by Mozart. Five soloists of BTE Vo1ss - Caroline Nkwe (soprano), Annemarie Steenkamp (mezzo-soprano), Phenye Modiane (tenor), Kagiso Boroko (tenor) and Christopher Vale (baritone) - members of the BTE Vo1ss Academy and the local choir Voices will perform with the FSSO conducted by Alexander Fokkens.

Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses.

The comic opera Le Nozze di Figaro (Marriage of Figaro) was composed when Mozart was 30 and is often regarded (with Cosi fan tutte) as one of the best examples of opera buffa. The following excerpts will be performed:

  • Cherubino’s aria “Non so piu cosa son, cosa faccio” will be sung by Annemarie Steenkamp;
  • The finale from the second act “Esci omai garzon malnato”;
  • Figaro’s exciting aria “Hai gia vinta la causa” will be sung by Christopher Vale;
  • The whole company will join in for the beautiful finale of the opera.

Although the opera Don Giovanni is sometimes classified as comic, it blends comedy, melodrama and supernatural elements and can be better described as dramma giocoso. One of the most beautiful duets that can be found in any opera, “La ci darem la mano” will be sung by Annemarie Steenkamp and Christopher Vale.

Cosi fan tutte was written when Mozart was 34. The virtuoso soprano aria, “Come scoglio” will be sung by Caroline Nkwe. Also included in the programme are two trios from the opera: “Soave sia il vento” for 2 sopranos and baritone and “La mia Dorabella capace non è” for tenor, baritone and bass.

A Singspiel is a form of German-language music drama, now regarded as a genre of opera. Mozart wrote four Singspiele. Excerpts from 3 of these will be on the programme: the Overture of Der Schauspieldirektor (Impressario), the duet “Vivat Bacchus, Bacchus liebe” and the finale “Nie werd' ich deine” from Die Entführung aus dem Serail and the male chorus “O Isis und Osiris” from Die Zauberflöte. The latter will be performed by Vo1ss Academy and the local Voices choir.

Mozart has already started work on Die Zauberflöte (The Magic Flute) when he was commissioned to write a new work to celebrate the coronation of Leopold II, Holy Roman Emperor as King of Bohemia. The result was La Clemenza di Tito which he completed within about a month. The Overture and the tenor aria “Ah Se fosse intorno al trono” are on the programme.

The evening will end with the Benedictus from the big Mass in c minor, K427.

Admission

R120 (adults)

R80 (pensioners)

R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)

Book online at www.computicket.com

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342

www.fsso.org.za

 

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