Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Koornhof-Hecht Duo

with celebrated SA violinist, Piet Koornhof, and American pianist, Thomas Hecht

 

7 May 2015

Odeion

19:30

 

“…major talent...”

— The New York Times

 

"Koornhof is an utterly brilliant performer”

— The Cape Times

 

“…fantastic...full mastery…”

— Gazzetta del Sud

 

Violinist Piet Koornhof has performed extensively as recitalist and chamber musician, and as soloist with orchestras in Southern Africa, Europe, North America, Russia, Singapore and New Zealand. His overseas performances include recitals with American pianist Thomas Hecht at the Yong Siew Toh Conservatory of Music (Singapore) and at the Echos Festival (Italy).

 

In 1994 he was the first South African to undertake an extensive recital tour of Russia, with pianist Vladimir Yurigin-Klevke. In 1998 he gave masterclasses and performed at Victoria University of Wellington (New Zealand). In 1999 he performed at the Palaces of St. Petersburg International Chamber Music Festival as a member of the Potch Trio, and appeared as soloist with the Moscow Chamber Orchestra.

 

Piet's most recent CD-recordings (Delos), are the complete JS Bach trio-sonatas for flute, violin and piano with Raffaele Trevisani and Paola Girardi, and the Hendrik Hofmeyr Double CSoncerto for flute, violin and string orchestra with Trevisani and the Moscow Chamber Orchestra led by Constantine Orbelian. His chamber music CD-recordings as founder and violinist of the South African Chamber Music Society for Koch Discover International have garnered high international acclaim. His CD-recording of piano trios of Babadjanian and Vasks as a member of the celebrated Potch Trio was released in South Africa in 2005. A CD of unusual short lyrical pieces for violin and piano with Truida van der Walt, “Remembrances”, became available in 2007. 

 

Piet made his concert debut at the age of nine while he was a pupil of Alan Solomon.  He was awarded scholarships by amongst others the South African Music Rights Organisation, Anglo American Corporation, the Aspen Music School and the Juilliard School where he studied with Dorothy DeLay. He also took part in masterclasses by Itzhak Perlman, Pinchas Zukerman and Segiu Luca.

 

Piet has been teaching violin, viola, chamber music and methodology of violin at the School of Music of the North West University (Potchefstroom) since 1986. He holds a doctorate in music performance from the same institution where he is associate professor.  His masters thesis about the teaching strategy of renowned violin teacher, Dorothy DeLay, provided the material for his article in Strad magazine (August 2001).

 

American pianist Thomas Hecht was invited to Singapore in 2003 as the conservatory's Founding Head of Piano Studies. Over the span of nearly three decades he has concertized internationally as concerto soloist, recitalist, chamber musician and as a member of the acclaimed duo-piano team Hecht & Shapiro - winners of the Munich International Two Piano Competition and USA National Duo Piano Competition. He was the former Head of Piano Studies and Artist-In-Residence at the School of Music at Victoria University (New Zealand) and prior to that served for many years as Professor of Piano and Artist-In-Residence at the Cleveland Institute of Music (USA).  He has performed with leading orchestras such as the New York Philharmonic, Cleveland Orchestra, Baltimore Symphony, Stuttgart Symphony Orchestra, Johannesburg Festival Orchestra, Singapore Symphony Orchestra, Artsakh Symphony Orchestra and the New Zealand Symphony Orchestra. 

 

Career highlights include performances at the Lincoln Center (New York), Berlin Philharmonic Hall, the Kennedy Center (Washington) and solo recitals in Korea, Japan, China, Taiwan, Vietnam, Thailand, Italy, Serbia, Montenegro, Germany and throughout all the major centres of Australia and New Zealand. Hecht is a graduate of the Oberlin Conservatory where he won first prize in the concerto competition and the Kaufmann Award for excellence in chamber music.  Later he was accepted for graduate studies at the Peabody Institute as a student of Leon Fleisher.

 

Hecht enjoys a well-deserved reputation as one of the leading teachers of his generation, having produced a multitude of first prize winners in solo and two piano competitions throughout the United States, Europe and Australasia.   Throughout his career he has represented the USA, New Zealand and Singapore on jury panels of the Gina Bachauer, Geneva, Isangyun, Ibiza and Paralympic International Piano Competitions in addition to the national piano competitions of Japan, Thailand, Australia and South Africa.  He is a Steinway Artist and records for the Azica, Elysium and Atoll labels.

 

PROGRAMME

Arvo Pärt: Fratres

Giya Kancheli: Time…and again

Balys Dvarionas: Various compositions

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

 

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