Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Harmonic Brass Munich

German brass quintet back in Bloemfontein by popular demand!

2 March 2016

Odeion

19:30

 

Description: Munich Brass Tags: Munich Brass“From the first note to the last, this was a fun, inspiring, engaging and quite simply brilliant concert.” 

(Gareth Harvey, What’s on in Cape Town)

 

After the five gentlemen of Harmonic Brass Munich’s visits to Bloemfontein in 2012 and 2014, concertgoers could not stop talking about the extraordinary and highly entertaining concerts they have been treated with.  The OSM could not let the chance go by to invite them to Bloemfontein with their next SA tour. 

 

Since 1991, the Harmonic Brass Munich has been renowned for its big, elegant brass sound.  Carnegie Hall (New York), Arts Center (Seoul), Leipzig Gewandhaus: the five gentlemen are welcomed and feel at home everywhere in the world. Harmonic Brass travels around the globe playing around 120 concerts a year with different programmes.  An ensemble that spreads good humor: meticulous filing at their performances combined with baroque joie de vivre and serious musical works alternating with giggling boyishness. Five individuals, who couldn't be more unique, melt into a remarkable unity on stage.  Harmonic Brass is supported by an incredibly large number of fans.  Representing the Goethe Institute, Harmonic Brass has been a cultural ambassador all over the world since 2000 and the musicians from Munich also present numerous international workshops.  Anyone who has been to a Harmonic Brass concert knows what the Süddeutsche Zeitung means when writing about an ensemble that "… with its glamorous-virtuous way of performing is one of the best of its kind worldwide."

 

The members of the group have changed since their last visit.  Gergely Lukács has left the group and a lady, Elisabeth Fessler, has succeeded him.

 

Hans Zellner (trumpet) studied with Prof Lachenmaier, Rolf Quinque and Wolfgang Guggenberger at the Richard Strauss Conservatory in Munich as well as the Hochschule für Musik und Theater (also in Munich).

 

Elisabeth Fessler (trumpet) studied with Prof Wolfgang Guggenberger at the Staatliche Hochschule für Musik Trossingen and joined Harmonic Brass Munich in 2014.

 

Andreas Binder (French horn) studied with Prof Siegfried Hammer and Prof Wolfgang Gaag at the Hochschule für Musik und Theater

 

Thomas Lux (trombone) studied with Prof. Paul Schreckenberger at the Staatl. Hochschule für Musik und Darstellende Kunst in Mannheim. 

 

Manfred Häberlein (tuba) studied at the Meistersinger-Conservatory in Nürnberg and with Tom Walsh at the Richard Strauss Conservatory in Munich.

 

Programme:

Antonio Vivaldi (1678 - 1741): Concerto in C

Johann Sebastian Bach (1685 - 1750): If you are with me (BWV 508)

Johann Sebastian Bach: Brandenburg Concerto No. 2 (BWV 1047) - Allegro assai

Frederick Loewe (1901 - 1988): My Fair Lady

Michael Jackson (1958 - 2009): Black or White

Giuseppe Verdi (1813 - 1901): Triumphmarsch from “Aida”

Arr.: Hans Zellner (*1968): Africa

Leroy Anderson (1908 - 1975): Buglers Holiday

Arr.: Hans Zellner (*1968): A Tribute to Louis Armstrong           

   (all arrangements by Hans Zellner)

 

Admission:

R130 (adults)

R90 (pensioners, students and learners)

R70 (UFS staff)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries:   

Ninette Pretorius (tel. 051 – 401 2504)

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