Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Arnold van Wyk Centenary Gala Concert

Description: Arnold van WYK Tags: Arnold van WYK

 

 

25 August 2016

Odeion

18:00

 

Arnold Van Wyk Centenary Gala Concert
Presented by the OSM in collaboration with FINE MUSIC RADIO

This gala concert will be presented during the annual SASRIM (South African Society for Research in Music) Congress which will be hosted by the Odeion School of Music (UFS). SASRIM 2016 is celebrating the 10th anniversary of SASRIM as well as the centenary of the birth of South African composer, Arnold van Wyk.

The concert will be recited by OSM staff members and the OSM CAMERATA. The OSM has curated a special concert programme to commemorate celebrated composer Arnold van Wyk. The first part of the programme will consist of three well-known signature Arnold van Wyk works hailing from different time periods in his career.

The concert will be life broadcasted by FINE MUSIC RADIO with Rodney Trudgeon as the host. Listen to this broadcast.


Pastorale e Capriccio
Grethe Nöthling (piano)

Van Liefde en Verlatenheid
Mathildie Thom Wium (mezzo-soprano)
Lesley-Ann Mathews (piano)

Five Elegies for String Quartet
Odeion String Quartet

Koud is die Wind for Chamber Orchestra by Alfred Vorster
OSM Camerata
 
Koud is die Wind was commissioned from alumnus Alfred Vorster by the OSM NEW MUSIC INSIATIVE and will be premiered by the OSM CAMERATA under the baton of the composer. Vorster describes it as a composed interpretation based on the song Koud is die Wind and other themes from Arnold van Wyk’s celebrated cycle Vier weemoedige liedjies. The narrative of this composition aims to depict the final moments of life, characterized by flashbacks of various life experiences as the eternal light nears.

This gala concert will simultaneously serve as the annual OSM Dean’s concert.

The OSM’s new book entitled MUSICS OF THE FREE STATE (Musicology without Frontiers no 2) will formally be released on the 25th of August 2016 in the Odeion foyer directly after the concert. The publication received a sterling review from Prof Harry White, (University of Dublin) in the International Review of the Aesthetics and Sociology of Music 47 (1).


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