Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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FSSO Symphony Concert - Free State Symphony Orchestra

Gérard Korsten

Denise Sutton

Jeanne-Louise Moolman

Free State Symphony Orchestra
Thursday 26 May 2011
Odeion
19:30

Programme:
Anton EBERL : Symphony in C
Wolfgang Amadeus MOZART : Sinfonia Concertante
Ludwig van BEETHOVEN : Symphony No. 1

Gérard Korsten is regarded by many as the best conductor this country has ever produced. He took up his appointment as Music Director of the London Mozart Players in 2010. Over the next three years Gérard will be fully involved in the orchestra’s musical development. He will conduct all of its major UK concerts and will work with the orchestra to develop foreign touring as well as new project opportunities. Gérard is also Principal Conductor of the Symphonieorchester Vorarlberg Bregenz.

Gérard Korsten’s recent engagements have included Le nozze di Figaro (La Scala, Milan) Ariadne auf Naxos & Hans Werner Henze’s L’Upupa und der Triumph der Sohnesliebe (Lyon) Don Giovanni (Royal Opera, Stockholm) Cosi fan tutte (Teatro del Maggio Musicale, Florence & San Carlo, Naples) and concerts with the Budapest Festival Orchestra, Mozarteum Orchestra Salzburg, Royal Philharmonic Orchestra of Flanders and Netherlands Radio Kamer Filharmonie.

Gérard Korsten conducts regularly in the Vienna Konzerthaus, Grosses Festspielhaus Salzburg, and Amsterdam Concertgebouw. He made his Salzburg Festival debut in 1995 with Camerata Salzburg, and his Berlin Festival debut in 1998 with the Deutsche Kammerphilharmonie Bremen. Forthcoming engagements include Cosi fan tutte and Albert Herring (Glyndebourne), La Veuve joyeuse & Siegfried (Lyon) Le nozze di Figaro (Gothenburg) and a debut with the Swedish Radio Symphony Orchestra. His recordings include the Tchaikovsky Serenade and Souvenir de Florence with the Chamber Orchestra of Europe for DGG, Don Pasquale for TDK, and Die ägyptische Helena, Euryanthe and Alfonso und Estrella and for Dynamic.

Denise Sutton has been leader of the Odeion String Quartet and Head of the Strings Department at the University of the Free State since 2008. She obtained a B.Mus cum laude at the University of Stellenbosch. An Ernest Oppenheimer Memorial Scholarship enabled her to go to Amsterdam, where she studied with Theo Olof and Nap de Klijn, as well as London. She was leader of the second violins of the Scottish Chamber Orchestra and successfully auditioned for the English Chamber Orchestra. With these orchestras she had the opportunity of touring the UK, France, Spain, Germany, the USA and Canada. On her return to South Africa, she was concertmaster of the PACT Orchestra for almost twenty years, and was also leader of the Transvaal Chamber Orchestra, Johannesburg Festival Orchestra and Chamber Orchestra of South Africa (COSA). She has been a member of many chamber groups, notably the Rosamunde Quartet, of which she was leader and co-founder. Denise has appeared as soloist with various orchestras. She has extensive teaching experience and has taught many successful students who are working professionally here and abroad. She serves on the jury for competitions such as ARTSCAPE and the UNISA national string competition and is an examiner for UNISA, the University of Pretoria and North-West University.

Jeanne-Louise Moolman, violist, was appointed as a member of the Odeion String Quartet and senior lecturer in viola at the University of the Free State in 2008. Studied at the University of Pretoria under Prof. Alan Solomon where she obtained the B.Mus and B.Mus.Hons degrees with distinction. In Salzburg she studied under Thomas Riebl. She is an experienced chamber musician who regularly performs in various combinations with some of South Africa’s leading musicians. Jeanne-Louise was a founding member of the Rosamunde String Quartet. As soloist she has performed several concertos, including the Suite Hebraïque (Bloch), the Concerto in C mineur of JC Bach, Harold in Italy (Berlioz) and the Sinfonia Concertante (Mozart) with different orchestras in the country. In 2008 she gave the world-premiere performance of Stefans Grové’s Concerto for Flute and Viola with the Chamber Orchestra of South Africa and was subsequently invited to perform this work at the 37th International Viola Congress in Stellenbosch. Jeanne-Louise has more than twenty years experience as principal violist of various professional orchestras in Gauteng and the Free State. As a student she won, among others, the ATKV Forté and Oude Meester competitions and in 1985 she was the first winner of the University of Natal 75th Anniversary Prize.


Admission
R120 (adults) per concert
R80 (pensioners, students and learners) per concert

Tickets @ Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com  

Enquiries:
Ella Kotze (FSSO), tel. 051 – 401 2342 (8:00 – 13:00)
www.fsso.org.za


 

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