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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Jean-Pierre Calitz: Former Kovsie music student gives piano recital

23 Junie 2011
Odeion
19:30

Jean-Pierre Calitz was the first prizewinner of the MUSICON National Piano competition (Now Arts Trust Competition) in 2001 and 2002 as well as the MUSICON Soloists Competition in 2003. He was a member of the winning ensemble at the Stellenbosch Chamber Music Competition in 2002 where he was the only pianist to receive a prize for outstanding ensemble playing.

During his undergraduate university career Jean-Pierre was awarded merit scholarships by the University of the Free State and Music study scholarships by the South African Music Rights Organization. He was a participant in master classes with Niel Immelman (Royal College of Music - London), Andrea Bonnata (Italy), Petronel Malan (USA), Dana Cilliers and Nina Schumann. In 2006, Jean-Pierre was invited to perform the Mozart Quintet for Winds and Piano with the University Wind Quintet for the Stellenbosch University’s annual International Chamber Music Festival. In the same year, as a member of the South African National Youth Orchestra, he toured to Germany to perform at the well-known Beethovenfest.

His main teachers in South Africa were Nettie Immelman, Ella Fourie and Albie van Schalkwyk. He furthered his studies at the Western Michigan University in the United States where he studied with Silvia Roederer. He was named a Gilmore International Keyboard Festival Fellow - which included a master class performance for André Watts.

He recently graduated with a Masters degree in Piano performance. In the summer of 2009/10 he studied with Bachauer Gold Medalist, Lori Sims, at the Bayview Music festival. Jean-Pierre is a candidate for the Doctorate in Music (piano performance) at the Université de Montréal under Paul Stewart. His research is focused on the "Fairytales" by Nikolai Medtner.

Jean-Pierre was selected as a competitor of the UNISA National Piano Competition in Pretoria from 9 – 16 July 2011.

Programme:
Messiaen: Vingt Regards sur l'enfant Jésus: XI Première communion de la Vierge "The Virgin's first communion"
Bach: Partita in C minor, BWV 826
Medtner: Fairytales, Op. 20
Prokofiev: Sonata in A major, Op 82.

Admission:
Free

Enquiries:
Odeion School of Music (051 – 401 2810).

 

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