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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Sundowner Concert – Teresa de Wit (mezzo soprano)

Sundowner Concert – Teresa de Wit (mezzo soprano)
Monday, 10 October 2011
Odeion
18:00

The Odeion School of Music cordially invites you to a Sundowner Concert with mezzo-soprano, Teresa de Wit and pianist Lesley-Ann Mathews.  Teresa is a B.Mus.Hons. student of Mr Peet van Heerden (voice teacher at the Odeion School of Music).  She is a freelance opera singer and also performs in oratorios and masses.  She is since 2006 a permanent member of the Black Tie Ensemble and regularly performs for Salon Music.  Teresa recently attended master classes at the International Summer Festival in Salzburg.  She also had the opportunity to have solo tuition under the auspices of acclaimed soprano, Barbara Bonney.

Programme:
George Frideric Handel: He was despised (from: Messiah)
Franz Peter Schubert: Nacht und Träume, Op. 43, No. 2  (D. 827); Gretchen am Spinnrade  Op. 2  (D. 118)
Johannes Brahms: Von ewiger Liebe  Op. 43,  No.1; Ständchen  Op. 106, No. 1
Richard Strauss: Die Nacht   Op. 10, No. 3; Wiegenlied  Op. 41 No. 1
Gabrielle Fauré: Aprés un Rêve  Op. 7, No. 1
Franz Liszt : Oh quand je dors  S282
Manuel de Falla: Nana
Ferran Obradors: Del cabello mas sutil
Xavier Montsalvatge: Cancion de para dormer a un negrito
Gioachino Rossini: Una voce poco fa (from: Il Barbiere di Siviglia)

Admission: Free

Enquiries: Ninette Pretorius (tel. 051 – 401 2504)

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