Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Die Waterwyser

Directed by: Nico Luwes

Script by: Nico Luwes

Venue: Scaena Theatre

Gentre Farce

Language: Afrikaans

 

Dates and times:

19 September 2017 at 19h30

20 September 2017 at 19h30

21 September 2017 at 19h30

22 September 2017 at 19h30

23 September 2017 at 10h30

 

Tickets:           R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings:  Computicket

Die Waterwyser, a farce in Afrikaans written by Nico Luwes, is set in the time of the Great Depression on the farm Tweehasemeteenslagraakgegooifontein in the Moordenaars Karoo.  The three residents on the farm, Ouma Driedoring and her two daughters Anna and San, are trying their best to survive, all the while drinking gaat ( home-made burnt-corn coffee). While drilling a bore hole, their neighbour Gert Laventel, cut off the underground watercourse to their farm leaving them with a dry hole. In between wagers and intrigues the question remains whether Willia Water will fall for the widow Anna or the spinster San. Or will the ostentatious Nelia Konsert succeed in winning his heart?

The comedy was performed by Truk with well-known actors Vall Donald-Bell, Sandra Ferreira, Helene Truter, Elzabé Zietsman, Johan Malherbe en Hannes Muller. In her review in Beeld Leatitia Pople praised the show as delightful entertainment which will see to full houses, and said that Luwes’ text is written in the good, old-fashioned Afrikaans of the region.

Writer-director Luwes now again dishes up this pleasant comedy with dramastudents taking the stage.

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