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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Her Lyrical Song

Her Lyrical Song

with Marguerite van Wyk (soprano), Piet Koornhof (violin), Danrè Strydom (clarinet) & Truida van der Walt (piano)

Sunday 1 March 2020
Odeion
16:00

A lyrical evening with a concert titled “Her Lyrical Song” with soprano Marguerite van Wyk, violinist Piet Koornhof, clarinetist Danrè Strydom and pianist Truida van der Walt. The programme will include works by Britten, Mozart, Whitacre, Schubert and S. Le Roux Marais.

Marguerite van Wyk her BMus (Ed) and BMus (Hons) performance degree under the guidance of Hanna van Niekerk at the UFS. During her studies she participated in numerous performances with Pacofs, the Youth Concert Festival together with the Pacofs Orchestra. She recently achieved her Master's Degree in Performance with distinction, under the guidance of Antoinette Olivier. Violinist Piet Koornhof is Associate Professor at the North West University (Potchefstroom). He studied with Professor Dorothy DeLay at the Juilliard School in New York, and obtained a DMus in Musical Performance from the North West University. Danrè Strydom has established herself as one of South Africa's premier solo, chamber and orchestral musicians. After attending the Interlochen Arts Camp (USA), she studied with Heinrich Armer at the UFS. She furthered her studies at the Indiana University's Jacobs School of Music, with renowned clarinettists Eli Eban and Eric Hoeprich. She holds two separate MMus degrees from the Royal Conservatory (Ghent University) and recently completed her PhD at the OSM. She was appointed woodwind lecturer at the OSM in 2014. Truida van der Walt is a well-known accompanist and chamber music player. After piano studies with Adolph Hallis (Johannesburg), she studied at the Hochschule für Musik und Darstellende Kunst (Vienna). She was regularly invited by the provincial arts councils to accompany visiting overseas artists and has played for numerous winners of competitions.


PROGRAMME

Benjamin Britten (1913 – 1976)
On this Island, Op. 11
Let the florid music praise!
Now the leaves are falling fast
Seascape
Nocturne
As it is plenty

Wolfgang Amadeus Mozart (1756 – 1791)
Aria: L’amero saro costante (Aminta)
From the opera: Il re pastore
with violin solo – Piet Koornhof

Eric Whitacre (Born 1970)
Five Hebrew love songs
Temuná (A picture)
Kalá Kallá (Light bride)
Lárov (Mostly)
Èyze shéleg (What snow)
Rakùt (tenderness)
with violin - Piet Koornhof

Franz Schubert (1797 – 1828)
Der Hirt auf dem Felsen (The shepherd on the rock)
with clarinet – Danré Strydom

Five songs of S. Le Roux Marias (1896 – 1979)
Lentelied
Dit is laat in die nag
Mali, die slaaf se lied
Rooidag


ADMISSION

  • R90 (adults)
  • *R50 (pensioners and UFS staff members)
  • *R40 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (Tel. +27 51 401 2504)

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