Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Nettie Immelman Memorial Concert

with Jeanne-Minette Cilliers (piano)
Wednesday, 8 August 2012
Odeion
19:30

Legendary piano teacher, Nettie Immelman, passed away in 2011. The Odeion School of Music decided to arrange an annual concert in her memory and Jeanne-Minette Cilliers was the obvious choice of a celebrated pianist to invite to perform in this first concert.
Jeanne-Minette Cilliers received lessons in her native country (South Africa) from amongst others, Nettie Immelman and Japie Human. Among the most versatile musicians of her generation she has been called “a pianistic poet”, garnering rave reviews for her color-rich and imaginative performances.

She made her orchestra debut at the age of 12 in South Africa playing Joaquín Turina's Rapsodia sinfónica. From a young age she won top prizes in national competitions including the coveted UNISA Overseas Music Scholarship and two special prizes at the UNISA International Piano Competition in 2000. International highlights include top prizes at the Indianapolis Matinee Musicale, the Kalamazoo Young Artists Bach Competition and the Nena Wideman Concerto Competition.

Increasingly in demand as a collaborator, Jeanne-Minette has performed in Austria, Germany, Italy, Portugal, Israel, Japan, Sweden, South Africa, Barbados, and across North America - including festivals and venues such as the Irving S. Gilmore Keyboard Festival, the Ravinia Festival, Lincoln Center and Carnegie Hall in New York City. She has collaborated with artists such as Frans Helmerson, Janos Starker, Roger Vignoles, Martina Arroyo, Håkan Hagegård, David Daniels, Joyce Castle, Lise Lindstrom, Lester Lynch, actor Zoe Caldwell, and director Peter Sellars.

Currently she is on the faculty at the Manhattan School of Music, while also a music director for the Martina Arroyo Opera Foundation in New York City. Jeanne-Minette has recorded regularly for the SABC, and has featured on various SABC television and radio programmes.

She holds two performance licentiates in chamber music and vocal accompanying (equal to an arts diploma), both cum laude, from UNISA - received at the early age of eighteen. She earned her B.Mus. and M.Mus. degrees (with distinction) from the University of Michigan. As a student of Menahem Pressler, she earned an Artist Diploma from Indiana University. Jeanne-Minette is based in New York City.

Programme:
Prokofiev – Sonata, Nr. 4
Debussy - Estampes
Berg – Sonata, Op. 1
Schubert - Drei Klavierstücke, D 946

Admission:
R120 (adults), R80 (pensioners, students and learners)
R50 (group bookings of 10+)
Tickets available at Computicket.

Admission to the seminar and pre-concert talks are free.

Enquiries:
Ninette Pretorius (tel. 051 401 2504)
 

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