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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Nag van die Hiëna (Riller) (A)

Text: Nico Luwes
Directed by: Nico Luwes
Age restriction: No under 14
Venue: Scaena theatre

Dates and times:
19 September 2012 at 19h30
20 September 2012 at 19h30
21 September 2012 at 19h30

Tickets: R 30.00 per person
R 20.00 per person (students, scholars & pensioners)

Bookings: Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)

Nag van die hiëna is a brand new thriller by Nico Luwes that promises fun for audiences who can try to solve the intricate twists in the play. The thriller, as genre, is seldom written and performed on Afrikaans theatre stages. in South Africa. Twin brothers, Leon and Hendrik, are full of fraudulent money schemes and lie and corrupt far as they can. It seems as if Leon, a prime evil man, has a hold on almost everybody in town. Leon’s wife, Lalien, has the seven year itch and it seems as if something is brewing between her and the doctor. Dr. Gert ha some skeleton’s in his cupboard and experiments with concoctions for animal dips to financially save his practice. Ricky, his pal from varsity days, sells pills for a pharmaceutical company and makes a stunning lot of money? Joyce, the doctor’s receptionist is a lonely lady with a cat. Leon’s attorney, Swannie, a good hearted little man is caught up the mess. The poor police inspector, Bantjies, sits with a dilemma of unsolved cases and a husband who thinks he knows more about police matters than herself. Just as she thinks she can close a case, some fish moth jumps out again? Corruption, affairs, jealousy, revenge, money schemes and murder forms part of the mix! Will they be caught?

Luwes directs the play with drama students in the Scaena Theatre on the UFS campus from 19 to 21 September, His latest directing projects include Maskermaan and Die Renosters, both prize winners as best production and best debut production at the Vryfees in 2010 and 2011. His comedy, Graswewenaar, was sold out at Vryfees 2012 and an extra show had to be put on the programme. Now it is time for a real thriller in Afrikaans.
 

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