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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Richard III (in modern English)

Production: Richard III (in modern English)
Adaptation: Thys Heydenrych
Original texts: William Shakespeare

Directed by: Thys Heydenrych
Venue: Wynand Mouton Theatre

Age restriction: 16 for language and violence

Dates and times:

17 September 2013 at 19h30
18 September 2013 at 19h30
19 September 2013 at 19h30
20 September 2013 at 19h30

Tickets: R30.00 per person & R20.00 scholars, students and pensioners

Bookings:         Computicket (Mimosa Mall and Checkers)              

‘Kill the boer, kill the farmer’ became a mantra after the Marikana massacre. ESKOM could not provide electricity anymore, strikes in transport and service sectors brought the whole economy of South Africa to its knees, and civil war broke out. South Africa is filled with corruption and political power struggles. During this civil war the Free State was occupied by two families, the “Lancasters” and “Yorks”. .

UFS drama department presents Shakespeare's Richard III in modern English, set in a post-apocalyptic South Africa. The year is 2035 and after the war, King Edward IV, a York reigns, while his youngest brother, Richard III, plots to become king.

Adapted and Directed by Thys Heydenrych as his final project for his M.A. Theatre Directing, University of Essex, London, UK. He started his studies last year September at East 15 Acting School where he had classes in London and Moscow.

Tickets available at Computicket and the doors. R 30.00 per person and R 20.00 for scholars, students and pensioners.  Age restriction of 16 for violence and language

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