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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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TOEAC: performance by virtuoso accordion duo from the Netherlands

10 October 2013
Odeion
19:30

The classical accordion duo, TOEAC, consists of Renée Bekkers and Pieternel Berkers.  They studied at the Fontys Academy of Music (Netherlands) with Ronald van Overbruggen where they both received their Bachelor’s degree cum laude.  Pieternel also studied ‘Teacher of Music’, and Renée did her master’s degree in pedagogy.  Both succeeded cum laude as well.  They are currently studying at the Royal Danish Academy of Music in Copenhagen with Geir Draugsvoll and James Crabb.   

TOEAC has been awarded several prized: at the Dutch Accordion-Competition, Prinses Christina-Concours, Grand-Prix International (France), Premio Internazionale di Fisarmonica (Italy), Grachtenfestival Conservatorium-Concours as well as the Vriendenkransconcours/het Debuut.

They played for several television- and radio programmes, national and international.  TOEAC is also co-operating or co-operated with other artists as writers, visual artists, live-electronica composers, dancers and actors.  They worked with orchestras such as Radio Filharmonisch Orkest, Orkest de Volharding, Schönberg Ensemble, the Nieuw Ensemble, the Malando Orkest and Rotterdams Kamerorkest.

Pieternel and Renée are convinced that the accordion is an instrument from today and from the future.  That is why they like to co-operate with composers.  Composers like B. De Murashkin, N. Whiteman, E. Caine en N. Huijbregts have written compositions for the duo.

TOEAC played or are planning to play concerts in among other, England, Germany, France, Belgium, Croatia, South Africa, Turkey, China, Indonesia, Canada and the Netherlands.  They played at several festivals like the Cheltenham Festival, Festival de Saintes, Festival van Vlaanderen, Grachtenfestival Amsterdam, Rheingau Festival, Kultur im Kreis en Aardklop.

PROGRAMME:

Mussorgsky: Schilderijententoonstelling
Stravinsky: Tango
Meijering: Schilderijententoonstelling (wêreldpremière)
Piazzolla: María de Buenos Aires
Grieg: Holberg Suite
 Beljon: De Noordewind

ADMISSION:

R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

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