Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Awadagin Pratt – American pianist in concert!

15 May 2015

Odeion

19:30

 

Among his generation of concert artists, pianist Awadagin Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras.

 

Born in 1966 in Pittsburgh, Awadagin began studying piano at the age of six.  At the age of 16 he entered the University of Illinois where he studied piano, violin, and conducting.  He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school's history to receive diplomas in three performance areas (piano, violin and conducting).  Awadagin recently received the Distinguished Alumni Award from Johns Hopkins.  In 1992 he won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant.  Since then, he has played numerous recitals throughout the US.  Summer festival engagements include Ravinia, Blossom, Wolf Trap, Caramoor and Aspen, the Hollywood Bowl and the Mostly Mozart Festival (Tokyo.)

 

Recent appearances include recital engagements at the New Jersey Performing Arts Center in Newark and in Baltimore, La Jolla, Los Angeles, Pittsburgh and at Duke University, as well as appearances with the orchestras of Cincinnati, Indianapolis, Seattle, Colorado, Portland ME, Utah, Richmond, Grand Rapids, Winston-Salem, Allentown and Mobile.  He played a recital in Carnegie Hall for the Naumburg Foundation in November 2010 and appeared at the 2012 Ravinia Festival in a duo recital with cellist Zuill Bailey.

 

Internationally, Awadagin has toured Japan, Germany, Italy, Switzerland, Poland, Israel, Columbia and South Africa.  He has been the subject of numerous articles in the national press, including Newsweek, People Magazine and New York Newsday.  He was named one of the 50 Leaders of Tomorrow in Ebony Magazine's special 50th anniversary issue. 

 

In 2009, he was one of four artists selected to perform at a White House classical music event and performing in concert for guests including President Obama.  He has performed two other times at the White House, both at the invitation of the President.  His recordings for Angel/EMI include A Long Way From Normal, an all Beethoven Sonata CD, Live From South Africa, Transformations and an all Bach disc with the St. Lawrence String Quartet.  His most recent recordings are the Brahms Sonatas for cello and piano with Zuill Bailey and a recording of the music of Judith Lang Zaimont with the Harlem Quartet. 

 

He is currently Professor of Piano and Artist in Residence at the College Conservatory of Music at the University of Cincinnati.  He is also the Artistic Director of the World Piano Competition as well as the Artistic Director of the Art of the Piano Festival.  Awadagin is a Yamaha artist.

 

PROGRAMME

Brahms: Variations on a Theme by Paganini, Op. 35

Bach Busoni: Chaconne in D minor, BWV 1004

Liszt: Sonata in B minor

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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