Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Nettie Immelman Memorial Concert

Description: Nettie Immelman Tags: Nettie Immelmanwith Grethe Nöthling (piano)

12 May 2016

Odeion

19:30

 

Legendary piano teacher, Nettie Immelman, passed away in 2011.  The Odeion School of Music presented the first memorial concert in her honour during 2012.  In commemorating five years since her passing, the newly appointed paino lecturer of the Odeion School of Music has been requested to present a piano recital.

 

Grethe Nöthling started her musical career at age five. At age seven she made her musical debut performing as soloist with the Johannesburg Symphony Orchestra. She won several national music competitions, awards and bursaries including the Sanlam Music Competition (1994), Absa National Music Competition (Piano Category: 1998), ATKV Prelude Competition (2000), Hennie Joubert National Piano Competition (2000), Lionel Bowman Beethoven Competition (2001) and UNISA overseas scholarship for Teachers (2003).

 

 She has been a soloist with major orchestras in the country between 1989 and 2005 including the Cape Town Philharmonic, Kwa-Zulu Natal Philharmonic and the Chamber Orchestra of South Africa.

 

Between 2001 and 2004 she completed her Bachelors of Music (cum laude) at the University of Pretoria under Ella Fourie and Joseph Stanford. In 2006 she continued her studies abroad. She completed her Master’s of Music at the Cleveland Institute of Music (2008) and Doctorate of Musical Arts (2014) at the University of Iowa (USA). Her teachers included Daniel Shapiro (CIM), Paul Schenly (CIM) and Uriel Tsachor (UIowa). In addition, she has received masterclasses from well-known piano pedagogues including Andrzej Jasinski, Lionel Bowman, Frank Heneghan, Joseph Banowetz, Adam Wodnicki, Eric Larsen, Enrico Elisi, Rebecca Penneys, Christopher Harding and Sean Duggan.

 

During her studies at the University of Iowa she was appointed as teaching assistant for three years. In addition, she was the pianist for the University of Iowa’s New Music Ensemble during 2012, directed by composition professor David Gompper at the UI.

 

Grethe is also an avid chamber musician and has performed with guest artists and faculty members of the University of Iowa, including Nicole Esposito, Anthony Arnone, Melissa Kraut, Larry Stomberg and Sarah Frisof.

 

In 2015 she returned to South Africa and has recently been appointed as principal piano lecturer at the Odeion School of Music.

 

PROGRAMME

Beethoven-Liszt: An die ferne Geliebte

Beethoven: Piano Sonata No. 17 in D minor, Op. 31 No. 2  

Schumann: Fantasy in C major, Op. 17

 

ADMISSION

FREE

 

ENQUIRIES     

Ninette Pretorius (tel. 051 401 2504)

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