Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Arnold van Wyk Centenary Gala Concert

Description: Arnold van WYK Tags: Arnold van WYK

 

 

25 August 2016

Odeion

18:00

 

Arnold Van Wyk Centenary Gala Concert
Presented by the OSM in collaboration with FINE MUSIC RADIO

This gala concert will be presented during the annual SASRIM (South African Society for Research in Music) Congress which will be hosted by the Odeion School of Music (UFS). SASRIM 2016 is celebrating the 10th anniversary of SASRIM as well as the centenary of the birth of South African composer, Arnold van Wyk.

The concert will be recited by OSM staff members and the OSM CAMERATA. The OSM has curated a special concert programme to commemorate celebrated composer Arnold van Wyk. The first part of the programme will consist of three well-known signature Arnold van Wyk works hailing from different time periods in his career.

The concert will be life broadcasted by FINE MUSIC RADIO with Rodney Trudgeon as the host. Listen to this broadcast.


Pastorale e Capriccio
Grethe Nöthling (piano)

Van Liefde en Verlatenheid
Mathildie Thom Wium (mezzo-soprano)
Lesley-Ann Mathews (piano)

Five Elegies for String Quartet
Odeion String Quartet

Koud is die Wind for Chamber Orchestra by Alfred Vorster
OSM Camerata
 
Koud is die Wind was commissioned from alumnus Alfred Vorster by the OSM NEW MUSIC INSIATIVE and will be premiered by the OSM CAMERATA under the baton of the composer. Vorster describes it as a composed interpretation based on the song Koud is die Wind and other themes from Arnold van Wyk’s celebrated cycle Vier weemoedige liedjies. The narrative of this composition aims to depict the final moments of life, characterized by flashbacks of various life experiences as the eternal light nears.

This gala concert will simultaneously serve as the annual OSM Dean’s concert.

The OSM’s new book entitled MUSICS OF THE FREE STATE (Musicology without Frontiers no 2) will formally be released on the 25th of August 2016 in the Odeion foyer directly after the concert. The publication received a sterling review from Prof Harry White, (University of Dublin) in the International Review of the Aesthetics and Sociology of Music 47 (1).


We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept