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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Mielie-Maalie-Maantuig

Production: Mielie-Maalie-Maantuig
Text: Errol Ross
Director: DeBeer Cloete

Venue: Rehearsal Room (Scaena theatre)

Dates and times:
11 March 2010 11h00
12 March 2010 11h00 & 18h00
13 March 2010 10h00
15 March 2010 11h00
16 March 2010 11h00 & 1800

Bookings: Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)

Children’s Theatre presented by the Department Drama and Theatre Arts, University of the Free State

Die popular children’s production, “Mielie-Maalie-Maantuig”, based on the television series from the 1980’s, is showing from the 11th to the 16th of March in the Scaena Rehearsal Room.

“Mielie-Maalie-Maantuig” is a comic story built around Uncle Jasper’s “moon rocket”, a gigantic corn cob, which transports Uncle Jasper and his niece, Hettie, to the moon where they meet colourful characters such as the Queen of Light and her arch enemy, King of Darkness.

On a technical level, this production does not disappoint. The audience is transported from a laboratory on earth, to the grey plains of the moon, complete with moon rocks and aliens.

The production was last performed in 2007. The script is written by Errol Ross. DeBeer Cloete, director of “Woesklip” and “Die Towenaar van Onderstebo land”, once more takes on the reigns of director.
 

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