Years
2019 2018
Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Tribute to Kloppers

PROF JACOBUS KLOPPERS RESIDENT AT THE OSM

22 August - 5 September 2017

(with concert “Tribute to Kloppers” on 31 August, 19:30, Dutch Reformed Church Universitas)

Jacobus (Kobie) Kloppers (born 1937 in Krugersdorp) is a Canadian composer, musicologist and organist. He has composed many notable pieces, especially for organ, and has been the subject of substantial scholarship.

This includes a Masters dissertation by Eljee du Plooy, titled “Jacobus Kloppers: A Life of Service in Music” (2013).

Born in South Africa, Kloppers completed his Doctorate in Frankfur (Germany). In 1966, Kloppers returned to South Africa to teach, compose and perform. He immigrated to Canada with his family in the mid-1970s in protest to the Apartheid policy. 

Kloppers settled in Edmonton (Canada), and worked as a private instructor and church musician. In 1978, he was interviewed for a part-time position at a small Christian college, the King's University College (Edmonton), that was to open the next year. The college hired him full-time to develop a music program. He taught organ, music history, and musicology and was chair of the music program until his retirement in 2008. Kloppers is also an Adjunct Professor of Organ at the University of Alberta, an Honorary Fellow of the RCCO, the Canadian Music Centre and a member of the Canadian League of Composers.

Kloppers was important in Edmonton's Winspear Centre acquiring the Davis Concert Organ, a world-renowned instrument. In 2009, Kloppers was inducted into Edmonton's Cultural Hall of Fame. In 2011, the University of the Free State began a project to collect and house a complete collection of Kloppers' work.

Prof Kloppers will be resident in the Odeion School of Music for the period 22 August - 5 September 2017. The main purpose of his visit is for him to be available for a number of in-depth conversations concerning a book publication on his life and work, which will be edited by Prof Martina Viljoen. Both local and international scholars have been invited to contribute to the planned publication. The preliminary lay-out includes a number of chapters on topics that will illuminate both Prof Kloppers’s life history, as well as important aspects of his professional contribution, and his creative output: Introductory chapter – Profs Marnie Giesbrecht-Segger and Joachim Segger (University of Alberta and King’s University, Edmonton, respectively).

Biographical background – Eljee du Plooy and Prof Martina Viljoen (University of the Free State) A stylistic comparison between Kloppers and Stefans Grové – Prof Izak Grove (Stellenbosch University)

Stylistic influences in Kloppers’s organ oeuvre – Prof Nicol Viljoen, Dr Jan Beukes, Prof Martina Viljoen (University of the Free State)

An analytical study of the Dialectic Fantasy – Luzanne Eigelaar and Dr Matildie Thom Wium (University of the Free State)

Triptych for alto saxophone and organ – Dr Charles Stolte (King’s University, Edmonton)

Reflections: Prologue, Variations and Epilogue on an Afrikaans Folk Song – Profs Nicol and Martina Viljoen (University of the Free State)

Perspectives on Kloppers’s teaching of musicology at the King’s University – Dr Charles Stolte (King’s University, Edmonton)

“TRIBUTE TO KLOPPERS”

The OSM will present a concert entitled “Tribute to Kloppers” of compositions by Jacobus Kloppers on the 31st of August at 19:30 in the Dutch Reformed Church Universitas.

The following works will be performed:

PROGRAMME:

Chorale Preludes on Ps 23

Ps 128

Jesu meine zuversicht

Ek weet aan wie ek my toevertrou het

Partita on In Dulci Jubilo

Three Plainsong Settings
Hosanna (for chorus)
How lovely are your dwellings (for choir, organ and flute)
Give thanks to God, the Father (for choir and trumpet)
Verdwyn is nou die Daglig (Art song for lyrical tenor and organ) based on the Lutheran chorale, Der Mond ist aufgegangen.

ADMISSION: Free

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