Years
2019 2018
Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Jollie Patrollie

Description: 2018 Jollie Patrollie Tags: 2018 Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.

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