Years
2019 2018
Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Stefan Temmingh (recorder) and Axel Wolf (lute) in “The Brocken Melody”

Thursday, 28 February 2013 

Odeion

19:30

Stefan Temmingh is part of the young generation of world-class recorder players. About his debut CD “Corelli à la mode” an Italian reviewer wrote: “Never before did recorder playing sound so effortless and so differentiated in terms of timbre and dynamics.”  - Corriere della Sera (Milano).   Published by the German label Oehms Classics, the recording was celebrated by the international music press in 2009.  His second CD “The Gentleman’s Flute” was immediately nominated for the International Classical Music Awards 2011 (formerly MIDEM Awards).  Since then Stefan is regularly compared to the legendary Frans Brüggen.  Stefan comes from a Dutch-South-African family of musicians. He was born in 1978 (Cape Town) and now lives in Munich.  There he studied with Markus Zahnhausen as well as with Prof. Michael Schneider (Frankfurt). As a specialist in Early Music performance, his repertoire comprises the complete Baroque literature for recorder.  As a soloist he regularly performs with orchestras such as the Folkwang Chamber Orchestra Essen, the Hofkapelle Muenchen, the Stuttgart Chamber Orchestra and at the Ludwigsburg Festival. He has participated in recordings for Harmonia Mundi, Oehms Classics, Christophorus Records, the Southwest German and the Bavarian Broadcasting Corporations.  His commitment ranges from Baroque to Modern music. One of his strongest desires is to extend the boundaries of the recorder repertoire and he succeeds to surpass the usual stereotypes concerning his instrument.   In 2008 he was awarded the Contemporary Music Scholarship of the City of Munich.  Since 2010 he has a lectureship at the Munich College of Music.

Axel Wolf is a freelance musician who lives in Bavaria (Germany). He travels to international festivals in Bruges, Utrecht, Edinburgh, Tokyo and New York, both as a soloist or member of ensembles including Musica Fiata (Cologne), the Freiburger Barockorchester, Orchestra of the Age of Enlightenment and The English Concert.  He has been a regular guest at the Bavarian State Opera in Munich, performing under the direction of Ivor Bolton, Harry Bicket and Christopher Moulds.  He completed his guitar and lute studies with Hans Michael Koch and continued it with Rolf Lislevand.  He has worked with conductors such as Peter Schreier, Enoch zu Guttenberg, Alan Curtis, Paul McCreesh and Joshua Rifkin in opera, concert and CD productions.  He was a lecturer at the Academy of Music and Theater Hanover (1986 - 2003).  In addition to numerous CD productions as a continuo player and accompanist, he has released solo recordings of the lute works of Johann Sebastian Bach, “Opera for Lute”.

PROGRAMME:

(The Brocken Melody - The fascinating art of Renaissance and Baroque variation): Works by Corelli, Ortiz, De Rippe, Dowland, Schop, Van Eyck as well as the ever popular Greensleeves.

ADMISSION:

R130 (adults), R90 (pensioners, students and learners)

Tickets available at Computicket.

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

OSM MASTER CLASS SERIES 2013:

Stefan Temmingh will present master classes to three candidates on the day of the concert (Thursday, 28 February 2013) from 11:00 – 13:00 on the Odeion stage.  Come and see the master at work!

Admission: R50 per person

 

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