Years
2019 2018
Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Recital by Australian organist, Martin Rein

Thursday, 25 April 2013
Odeion
19:30

Martin Rein began his career with extensive studies in Choral Conducting and Sacred Music at the Berlin School of Music with Prof. Martin Behrmann.  He completed his B.Mus. in 1996.

He then undertook further postgraduate studies at the Music Academy in Detmold and graduated in December 2000 with First Class Honours in Organ Performance, and in June 2001 with an M.Mus. degree, majoring in Choral and Orchestral Conducting.  In his graduation recital in December 2000, he performed amongst other works, the Chromatic Fantasy and Fugue Op. 57 (Inferno) by Max Reger - one of the most challenging compositions within the organ repertoire. 

In Europe he studied organ and piano performance with Prof. Gerhard Weinberger (Munich-Wurzburg) and Dr Ewald Kooimann (Amsterdam) as well as organ improvisation with Prof. Renate Zimmermann (Berlin-Frankfurt-Heidelberg).  He also studied with Dame Gillian Weir in England.  Since then he held several positions at e.g. the Stiftskirche St John's (Germany), at St. Mary's Monastery (Lehnin, Germany) the Alte Kirche (Essen, Germany), conducted the Australian Chamber Singers, was Director of Music at St. John the Evangelist Notting Hill, resident College Organist and Educator at Bearwood College and the Royal Merchant Navy School (Berkshire), and in 2010 Martin accepted the post of Head of Performing Arts and Master of the Choristers at The King's School Sydney (Australia).

As an organist, Martin has performed in Australia, the USA and many European countries in venues such as Westminster Abbey and Westminster Cathedral, both Cathedrals of Berlin (Germany), the Great Hall at Sydney University (Australia), King's College Boston, St Mark's Baltimore, Gloria Dei (Philadelphia) and Carthage College (USA). His recital at Sydney University was broadcasted by 2MBS-FM 'Colours of the King' in July 2005.  Recently he has given concerts in St Martin-in-the-Fields in London, the Cathedral of St John-the-Evangelist in Hong Kong, St. Andrew's Cathedral (Sydney) and the Cathedrals of Auckland and Dunedin (New Zealand).  His special interest in historic organs - many of which he has performed on - is compiled in his book on Baroque organ builders in Germany.

Programme:

  • J.S. Bach - Prelude and Fugue in G, BWV550
  • J.S. Bach - Chorales from the Third Part of the Clavierubung (1739)
  • M. Duruflé - Scherzo, Op. 2
  • M. Reger - Introduction, Passacaglia and Fugue in E minor, Op. 127
  • M. Rein - Improvisation

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners)
Tickets available at Computicket.

Enquiries:

Ninette Pretorius (tel. 051 401 2504)

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