Years
2019 2018
Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Arnold van Wyk Centenary Gala Concert

Description: Arnold van WYK Tags: Arnold van WYK

 

 

25 August 2016

Odeion

18:00

 

Arnold Van Wyk Centenary Gala Concert
Presented by the OSM in collaboration with FINE MUSIC RADIO

This gala concert will be presented during the annual SASRIM (South African Society for Research in Music) Congress which will be hosted by the Odeion School of Music (UFS). SASRIM 2016 is celebrating the 10th anniversary of SASRIM as well as the centenary of the birth of South African composer, Arnold van Wyk.

The concert will be recited by OSM staff members and the OSM CAMERATA. The OSM has curated a special concert programme to commemorate celebrated composer Arnold van Wyk. The first part of the programme will consist of three well-known signature Arnold van Wyk works hailing from different time periods in his career.

The concert will be life broadcasted by FINE MUSIC RADIO with Rodney Trudgeon as the host. Listen to this broadcast.


Pastorale e Capriccio
Grethe Nöthling (piano)

Van Liefde en Verlatenheid
Mathildie Thom Wium (mezzo-soprano)
Lesley-Ann Mathews (piano)

Five Elegies for String Quartet
Odeion String Quartet

Koud is die Wind for Chamber Orchestra by Alfred Vorster
OSM Camerata
 
Koud is die Wind was commissioned from alumnus Alfred Vorster by the OSM NEW MUSIC INSIATIVE and will be premiered by the OSM CAMERATA under the baton of the composer. Vorster describes it as a composed interpretation based on the song Koud is die Wind and other themes from Arnold van Wyk’s celebrated cycle Vier weemoedige liedjies. The narrative of this composition aims to depict the final moments of life, characterized by flashbacks of various life experiences as the eternal light nears.

This gala concert will simultaneously serve as the annual OSM Dean’s concert.

The OSM’s new book entitled MUSICS OF THE FREE STATE (Musicology without Frontiers no 2) will formally be released on the 25th of August 2016 in the Odeion foyer directly after the concert. The publication received a sterling review from Prof Harry White, (University of Dublin) in the International Review of the Aesthetics and Sociology of Music 47 (1).


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