Years
2019 2018
Odeion Sinfonia Concert
2018-09-16

- In memory of Prof Derek Ochse -

with conductor Anmari van der Westhuizen & soloist Danielle Ceronio (saxophone)

16 September 2018

Odeion

16:00

This Odeion Sinfonia is a string only orchestra housed in the Odeion School of Music comprising string students studying at the OSM and string members of the Free State Youth Orchestra. The orchestra was founded by Derek Ochse with Anmari taking over the baton during her first year of residence at the UFS and the Odeion String Quartet (2009). The principle aims of this orchestra are to provide excellent training and valuable experience in string and ensemble playing, to adequately prepare string students for orchestral playing, to present them with numerous ensemble and orchestral concert playing opportunities and to generally promote quality string and ensemble playing.

Anmari is a highly acclaimed cellist and chamber musician and has more than thirty years of experience in playing and conducting chamber music. She is Adjunct Professor and Head of the OSQ. She graduated from the Stellenbosch University (BMusHons, cum laude), from the Mozarteum, Salzburg (Grosses Diplom, cum laude), and from the Hochschule für Musik (Cologne) under the tutelage of Prof Maria Kliegel (Konzertexamen). Anmari has won prestigious competitions and has had extensive chamber music training by members of the world's best string quartets like the Alban Berg String Quartet, the Amadeus String Quartet, the Borodin String Quartet, the Brodsky String Quartet and the Hagen String Quartet. She performed as a chamber musician and soloist in Australia, Austria, Belgium, Faroe Islands, Germany, Hungary, Italy, Japan, Poland, South Africa, Spain, Switzerland, Turkey, United Kingdom, USA, Zambia and Zimbabwe. Anmari has made several CD recordings, and both her solo CDs with Ilse Schumann received excellent reviews in South Africa and in Austria. She was the conductor / director of the UCT String Ensemble for ten years and is currently the conductor of the Odeion Sinfonia and co-conductor of the Free State Youth Orchestra.

The programme will include the following works:

  • GF Handel - Concerto Grosso Op. 6 No. 1
  • R Vaughan Williams - Concerto Grosso
  • N Stockton - Passacaglia for saxophone/horn and strings orchestra (soloist: Danielle Ceronio – saxophone)
  • P Warlock - Capriol Suite

ADMISSION
Free

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504) / pretoriusn@ufs.ac.za


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The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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