Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


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Yerma

Production: Yerma
Text: Fredrico Garcia Lorca
Directed by: Stephanie Brink
Venue: Wynand Mouton Theater
Date: 26 - 29 May 2009
Time: 19h30
Bookings: Computicket (Mimosa Mall en Checkers Money Markets)
Tickets:
R 30.00 Adults
R 25.00 Pensioners, scholars & students
R 25.00 Blockbooking 10+
R 15.00 Club Theatron members


Yerma embodies every woman’s desire to have a child of her own. As a wife in a conservative society with strict traditions and values, gossiping townswomen who loves to talk about others pain and a man who puts all his effort into his lands and do not recognize the urge of his wife for a child. Fredrico Garcia Lorca’s Yerma, has all the elements of a Greek tragedy. Yerma, a young wife filled with expectations, wants above all else a child. To such an extent that she only sees her husband as a fertility instrument. The husband, Juan, believes that he provides in everything that Yerma needs. His views are based on the moral standards and suffocating aspirations towards honour and pride in a society that lives from the earth. Yerma’s encompassing urge to be fertile becomes madness, her only motivation, and this is laid bare like a naked nerve ending. Stephanie Brink, known for her colourful and risky productions, (The Maids; Deathwatch, Die Van Aardes van Grootoor; Bloodwedding), takes this play and its many facets of poetic language, dream scenes and barren surrealism on. Original choreography by Godfrey Manenye and newly composed music by Erika Ludic en Angelo Mockie. Song and dance, ritual depictions and passionate scenes together with the talents of Ilne Fourie (Impi, Die Begrafnis), DeBeer Cloete (Zollie; Deathwatch) and a group of second year Drama students will leave you an unforgettable theatre experience.


- 26, 27, 28, and 29 May at 19h30 in the Wynand Mouton theatre. The duration of the show is 90 min. and age restriction of 13. Bookings at Computicket.
 

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