Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


Back
Mandie de Villiers-Schutte (soprano) & Waldo Weyer (piano)

Photo: Kobie van Rensburg

Mandie de Villiers-Schutte (soprano) & Waldo Weyer (piano)
Poulenc: The Human Voice (La Voix Humaine)
19 May 2011
Odeion
19:30

Mandie studied at the North-West University under Prof. Werner Nel where she received her B.Mus. and M.Mus. degrees (cum laude). She completed part of her master’s degree studies at the Academy of Music in Oslo (Norway) under the guidance of Svein Bjørkøy and Håkan Hagegård. She was a finalist and semi-finalist in various national competitions and a prize winner in the 2006 South African Student Opera competition. She has received master classes from Maarten Koningsberger, Kobie van Rensburg, Mimi Coertze, Lena Lootens, Roger Vignoles and Lawrence Zazzo. She has performed in various opera productions such as L’elisir d’amore (Gianetta), Rita (Rita), Zauberflöte (Pamina), Le Nozzi di Figaro (Susannah), Hänsel und Gretel (Gretel) and Fledermaus (Adele). She also sang in various oratorios like, the St John’s Passion, Vivaldi’s Gloria and Haydn’s Creation (Schöpfung). Mandie frequently performs at South Africa’s National Arts Festivals. Since 2009 she has been traveling with Cape Town Opera with their production of Showboat to Sweden (Malmö) and France (Paris). In the same year she was invited as guest soloist at the Landestheater Niederbeyern in Passau (Germany) to sing Poppea in Monteverdi’s L’incoronatione di Poppea. In 2011 she was touring to Germany, Switzerland, Austria and Luxemburg with the ensemble Cosi Facciamo - Ensemble für Alte und Neue Musik to sing Ginevra in their production of George Frideric Handel's Ariodante.

Waldo studied B.Mus. at the then Potchefstroom University under Prof. G.W. Koornhof. From 1993 he continued his studies at the Royal Academy of Music (London) where he received his B.Mus. degree in piano performance under Hamish Milne and Patsy Toh as well as his LRAM (with distinction). In 2003 he received his M.Mus. degree (cum laude). As accompanist he has received several positive reviews for performances at the Standard Bank National Arts Festival in Grahamstown and Aardklop from 2000-9 as well as the lieder concert series of Mimi Coertse. In 2005-6 he was the official accompanist for the UNISA national and international Voice Competitions. Waldo received master classes from, amongst others, Helmut Deutsch (Germany), Frank Heneghan (Ireland), Tim Ehlen (USA), Thomas Hecht (NZ), Caroline Oltmanns (USA) and Joseph Banowetz (USA). He has performed as soloist with the Pro Musica Orchestra and COSA (Chamber Orchestra of South Africa). He is since 2000 lecturer in piano and pedagogy at the University of North West.

 
 

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall / Waterfront information desks) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept