Years
2019 2018
Months
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Mariangela Vacatello Piano Recital
2019-01-29

…dazzling, virtuosic Italian pianist in concert…

Mariangela Vacatello 
PIANO RECITAL 
8 February 2019 
Odeion 
19:30

"... and even when Ginastera gives you one piece with a close family likeness to another, you listen with a sense of renewal thanks to performances by Mariangela Vacatello of a superb zest, brio and imaginative scope... she has technique in spades, making her a front-runner with Argerich's legendary live Three Argentinian Dances... no praise could be high enough for Vacatello's achievement." (Gramophone 2016)

Mariangela Vacatello is recognised worldwide as an exceptionally gifted artist, reflected in the numerous awards and effusive reviews she received. Her performances have regularly been broadcasted by prestigious radio stations worldwide. The Second Prize at the Franz Liszt International Piano Competition in 1999, at the age of 17, catapulted her towards an international career as a soloist, performing at Wigmore Hall, Bridgewater Hall (Manchester), Walt Disney Hall, Montpellier Festival, Weill Hall (NYC) and the Oriental Centre (Shanghaj). She has appeared with such prominent orchestras as the Philharmonic of Teatro alla Scala, National Orchestra Santa Cecilia (Rome), RAI in Turin, Lithuanian Symphony, Stuttgarter Philharmonics, Prague Chamber Orchestra and has performed with renowned conductors such as Andris Nelsons, Krystof Penderecky, Andrès Orozco-Estrada, Gábor Takács-Nagy and Alain Lombard. Amongst her numerous top awards the following deserve special mention: the Solti Foundation Award, XVII Venice Prize, Finalist and Worldwide Audience Award at the 2009 Van Cliburn International Piano Competition, 1st Prize Top of the World International Piano Competition 2009 and the Ferruccio Busoni International Piano Competition in 2005. Mariangela Vacatello was born in Naples (Italy) and studied at the Imola Piano Academy, Milan Conservatory and Royal Academy of Music (London).

ADMISSION

  • R150 (adults)
  • *R80 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES 
Ninette Pretorius (tel. 051 401 2504)



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Familiest(r)eke

Description: Familistreke Tags: FamilistrekeName of production: Familiest(r)eke 
Script by: Ray Cooney

Translation by: Wim Vorster
Directed by: Thys Heydenrych 
Venue: Wynand Mouton Theatre
Language: Afrikaans 
Genre: Comedy / Farce 

Age restriction: 14L


Date and times:
 
21 – 24 September 2016 @ 19h30 

Price: R40.00 for adults / R30.00 for students & scholars / R25.00 for pensioners.
Bookings: Computicket (0861 915 8000) 

FAMILIEST(R)EKE is set in Rosekrans hospital, containing the usual mixture of farcical nuts running in and out of doors mistaking everybody for someone else. Dr David Mortimore is about to address a neurologists' convention, which will probably earn him an honorary professoriate. While preparing the final touches to his speech an old co-worker, Jane Tate, arrives and announces that their slight indiscretion years ago resulted in a son, Leslie, who is downstairs at reception desperate to meet his dad.

 

Desperate to hide this catastrophic news from his wife, he is forced to invent not one but two non-existent husbands for Jane and enlist the help of his colleague Dr. Hubert Aucamp. Further complications arise with the presence of a police sergeant, a wandering senile patient, a syringe full of tranquillizer, Dr. Mortimore’s wife, a drugged hospital Matron, Dr. Aucamp’s mother and costumes for the annual hospital pantomime!

This hilarious farce is an Afrikaans translation of Ray Cooney’s “IT RUNS IN THE FAMILY”. FAMILIEST(R)EKE is farce at its best, spinning deliriously out of control and tickling the funny bones, in the true Cooney tradition.

 

 

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